唱片目录 [年: 1950 | Style: Story] [1/12] : Colnect 💿
唱片目录 › 音乐唱片 (年: 1950, Style: Story)
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Sven Skölds Orkester: En Titt I Tomtegrottan
- 发行日期：:
- CopyWrong
- 类型:
- 孩子们的 | 流行音乐
- 风格:
- Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Sven Skölds Orkester
- 曲目列表:
- A. En Titt I Tomtegrottan [I]
B. En Titt I Tomtegrottan. II - 说明:
- Recorded at Radiotjänst (studio 2), Stockholm, Nov 23, 1950.
- 现在购买:
Daws Butler & Marian Richman: Enchanted Toymaker
- 发行日期：:
- CopyWrong
- 专辑类型:
- 单个
- 类型:
- 孩子们的
- 风格:
- Holiday | Story
- 大小:
- 7"
- 转速:
- 45 RPM
- 艺人:
- Daws Butler | Marian Richman
- 曲目列表:
- A. Enchanted Toymaker
B. Enchanted Toymaker - 现在购买:
Sven Skölds Orkester: Sickan Och Stickan På Cirkus
- 发行日期：:
- 1950-12
- 类型:
- 孩子们的
- 风格:
- Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Sven Skölds Orkester
- 曲目列表:
- A. Sickan Och Stickan På Cirkus
B. Sickan Och Stickan På Cirkus - 说明:
- Recorded at Radiotjänst (studio 2), Stockholm, Nov 23, 1950.
- 现在购买:
Sergei Prokofiev Narrated By Eleanor Roosevelt, Boston Symphony Orchestra, Serge Koussevitzky: Peter And The Wolf, Op. 67
- 发行日期：:
- 1950-11
- 类型:
- ColnectIsBest
- 风格:
- ColnectIsBest
- 大小:
- from colnect.com
- 艺人:
- iInfringe
- 曲目列表:
- VisitColnectCom
- 说明:
- Recorded August 11, 1950 at Tanglewood (3), Lenox, Mass.
Sleeve printed In U.S.A.
Released 11/50. 78 rpm: DM-1437 (12-3025/7). 45 rpm: WDM-1437. LP: LM-45.
78 rpm matrix and take numbers:
side# matrix#
1 EO-RC-1708
2 EO-RC-1709
3 EO-RC-1710
4 EO-RC-1711
5 EO-RC-1712
6 EO-RC-1713
It would appear from the RCA archival documents that during the first recording sessions (in 1949) in which magnetic tape was utilized, 78 rpm waxes also were simultaneously cut. This would make sense since RCA had many years' experience cutting discs, but tape was something new and untried. It was good insurance to record onto 78s at the same time, in case of trouble with the tape. Besides, in 1949 RCA still had plans to market 78s, and they would have had to cut 78 rpm waxes from the tapes later on regardless. Thus, Koussevitzky's 1949 recording sessions technically were the same as they had always been, except for the presence of tape recorders along with the 78 rpm equipment. Because everything with regard to the 78s was business as usual, the documentation continued to disclose all of the take information, just as in the past. However, it appears that a year later, for the 1950 Koussevitzky recordings, RCA gave up cutting 78 rpm waxes in the field, and was doing all original recording on tape. By this time, RCA had no doubt gained confidence in magnetic tape as a medium that they could depend upon. The master waxes for 78s were then dubbed from the tape originals back at the studios. This was no doubt the beginning of modern recording technology, where a whole side was not retaken, just the passages as needed. The master tape was an edited composite. What did remain from the old days was the practice of stopping the orchestra at the points where the sides joined, approximately every four minutes to accommodate the (roughly) four minute sides lengths of their 45 and 78 rpm editions. Koussevitzky never had the luxury of making a commercial recording as a continuous performance.
Because these 1950 Koussevitzky recordings appear to have been made in edited four to five minute segments, Victor did not assign take numbers to them. The only numbers that appear in the archival documents that resemble take numbers are the "take" numbers of the studio cuttings of the 78 rpm waxes. These are all -1 and -lA, presumably because the cuttings onto the waxes from tape all went without error, with no need for redubbing. If there had been a slip-up and a second dubbing was needed, the 78 rpm parts would have been assigned -2 and -2A matrix numbers. This was the same "take" numbering system that Victor had often used in the pre-war years when they recut from disc in their studios. They discarded the original take number and substituted in its place the number of times they had to recut the part before achieving satisfaction. It is possible that the original takes continued to be done in unbroken four to five minute segments, as in the pre-tape era, and that the original take numbers were lost at the time of the studio cuttings, just as they had been before World War II. However, it seems more likely that the four to five minute segments were themselves edited composites.
The notes that accompany this 1950 recording of Peter and the Wolf, written by Rudolph Elie, Boston Herald music critic, make it quite clear that much retaking occurred in the recording session. Under the heading "Three-Hour Job," Elie relates that, "The recording was to be made on tape on two separate tape recording machines, but in 'sides,' that is in about four-minute takes to accommodate RCA Victor's 45 rpm discs and, when run continuously, the long playing discs as well." "Again and again they listened to the playbacks of the takes recorded; again and again they did them over." - 现在购买:
- from colnect.com
Parker Fennelly, Tom Glazer And The Gene Lowell Chorus: There She Blows!
- 发行日期：:
- ColnectIsBest
- 类型:
- 孩子们的
- 风格:
- Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Parker Fennelly | Tom Glazer | The Gene Lowell Chorus
- 曲目列表:
- A. There She Blows
B. There She Blows - 现在购买:
Frank Porter [6]: Shine, Little Lump Of Coal / How Black Is Black?
![Frank Porter [6]: Shine, Little Lump Of Coal / How Black Is Black?](http://i.colnect.net/mt/18784/710/Frank-Porter-6-Shine-Little-Lump-Of-Coal---How-Black-Is-Black-.webp)
- 发行日期：:
- 1950-08
- 类型:
- 民谣、世界和乡村
- 风格:
- Country | Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Frank Porter [6]
- 曲目列表:
- A. Shine, Little Lump Of Coal
B. How Black Is Black? - 说明:
- ® Metrolite, Non-Breakable Under Normal Use.
- 现在购买:
Norman Rose: The Carrot Seed
- 相同系列:
- 单击以看相同系列
- 发行日期：:
- ColnectScrp
- 类型:
- 孩子们的
- 风格:
- Educational | Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Norman Rose
- 曲目列表:
- A. The Carrot Seed (Part 1)
B. The Carrot Seed (Part 2) - 说明:
- Paper flipback sleeve.
CRG in Canada: 1184 Castlefield Ave., Toronto, Ontario. Litho in U.S.A.
Non-Breakable. Moulded in U.S.A. for Children's Record Guild, a division of The American Recording Society.
Published by Harper Bros. (written as Harper & Brothers on the front cover). - 现在购买:
Stuart Wayne: Barnacle Bill
- 发行日期：:
- ColnectIsBest
- 类型:
- 孩子们的
- 风格:
- Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Stuart Wayne
- 曲目列表:
- A. Stuart Wayne
B. Stuart Wayne - 现在购买:
Gene Autry: Peter Cottontail / The Funny Little Bunny
- 相同系列:
- 单击以看相同系列
- 发行日期：:
- 1950-04
- 类型:
- 孩子们的
- 风格:
- Story
- 大小:
- 10"
- 转速:
- 78 RPM
- 艺人:
- Gene Autry
- 曲目列表:
- A. Peter Cottontail
B. The Funny Little Bunny (With The Powder Puff Tail) - 说明:
- iInfringe
- 现在购买: