唱片目录 [Arturo Toscanini: Verdi Requiem (STEREO) 27 January 1951 Carnegie Hall Live Toscanini/NBC Symphony | 相同系列: 1556458] : Colnect 💿
唱片目录 › Music Record variants: #1556458 (相同系列: 1556458)
现在显示
相同系列: 1556458x
你在 Discogs 上有收藏吗?
从 Discogs 导入库存
从 Discogs 导入库存
显示具有相同特征的 21 个变体
类型: 古典
卖这些东西
每次销售的最大项目数: 100
商品太多，无法开始销售
每次销售的最大项目数: 100
This inventory list contains too many items to be sold at once, but you can still sell all items from the current page
Arturo Toscanini, Giuseppe Verdi, Herva Nelli, Fedora Barbieri, Giuseppe di Stefano, Cesare Siepi, The Robert Shaw Chorale, NBC Symphony Orchestra: Verdi: Requiem (1951, stereo)
- 发行日期：:
- 2010
- 风格:
- Romantic
- 艺人:
- Arturo Toscanini | Giuseppe Verdi | Herva Nelli | Fedora Barbieri | Giuseppe di Stefano | Cesare Siepi | The Robert Shaw Chorale | NBC Symphony Orchestra
- 曲目列表:
- 1. Requiem Aeternam (04:33)
2. Kyrie Eleison (03:18)
3. Dies Irae (02:16)
4. Tuba Mirum - Mors Stupebit (03:09)
5. Liber Scriptus - Dies Irae (04:31)
6. Quid Sum Miser (03:13)
7. Rex Tremendae (03:14)
8. Recordare (03:49)
9. Ingemisco (03:03)
10. Confutatis Maledictis - Dies Irae (05:11)
11. Lacrimosa (05:55)
12. Domine Jesu Christe (03:57)
13. Hostias Et Preces (05:36)
14. Sanctus (02:43)
15. Agnus Dei (04:31)
16. Lux Aeterna (05:40)
17. Libera Me - Dies Irae (04:55)
18. Requiem Aeternam (02:33)
19. Libera Me (05:29) - 说明:
- "A normal stereo recording, at it's most simple level, is best made using two microphones carefully placed and directed in order to create the most naturalistic stereophonic effect. The two outputs are recorded onto two tracks or channels which run concurrently – in 1951 this would have meant two tracks on one tape, had the technology been available at the time. Because the two tracks are physically side-by-side on a single tape and read by a single head, any fluctuation in tape speed will not cause a divergence in the juxtaposition of the two channels and the stereo image will remain absolutely stable.
By contrast, this Verdi recording begins with two microphones which have been placed independently of each other. Each was positioned to record the performance, but it's safe to assume both aimed to record the entire ensemble, rather than concentrating on the left or right hand side of the stage. As such we almost certainly don't have what recording engineers term a 'coincident pair'. (Where they were actually positioned is anyone's guess.)
Next we have two independent recording machines, each with its own minute speed fluctuations, something which will be further exacerbated on replay. Without some kind of time-code locking, no two analogue recorders or replay machines will ever stay perfectly synchronised, so our ideal of two channels on one tape and one replay head is also lost.
To add another complication to this already complex picture, one of the two recordings appears to be 'straight', whereas the other has had some kind of 'gain riding' – raising the volume levels of the quieter sections and attenuating the levels of the louder sections.
Finally, and unsurprisingly, both have different tonal characteristics (different microphones and recording equipment) and both have emerged in differing states of disrepair some six decades after the event.
To attempt to deal with all of these issues would have perhaps been an insurmountable task until very recently indeed. The key technologies which have made the present release possible are only recently developed – and though no doubt further advances might at some day in the future make this kind of work simpler, and possibly produce better results, I think the results here are truly something to marvel at and savour. I try to remain modest here – I have been the mere manipulator of tools I could not hope to construct.
Work began on the project in much the same way as I would normally proceed. The recordings were re-pitched to a standard A440 following basic de-clicking. The issues of tonal differences between them become irrelevant during the XR process, as each is re-equalised to a common reference, and then to each other, in order produce as close a tonal match as possible. This is done using high resolution computer analyses of the average frequency responses of each recording across its entirety and using very precise equalisation tools to match the two.
Next comes the tricky part – mixing the two halves into a single 'stereo' track. I used an educated guess as to the relative position of the microphones in order to determine which was left and which was right. Then began the painstaking task of lining the two up. Speed fluctuations on each track meant that synchronisation was forever being lost: the two tracks went in and out of tune with each other, one galloped ahead as the other fell behind, and so on. After hundreds of edits and endless re-pitching and fine-tuning of short sections, often corresponding to a handful of notes or a few short seconds of music, some kind of result was achieved.
The resulting “stereo” mix was rather wild – voices and instruments lurched from one side to another thanks to the gain-riding applied to one track only. An automated procedure to centre the tracks seemed the best solution here, adjusting the two channels simultaneously in volume to balance out the discrepancies between them. This is inevitably a compromise, but it seems to work.
Now began the fine-tuning – thousands of manual corrections to deal with pops, clicks, crackles, slight shifts in synchronisation previously missed and so forth. One particular brass entry, for just two notes, suddenly diverged in pitch – for a moment the glass-like clarity NBC brass section became more like the sound of a drunken Oom-Pah band at the tail-end of a Munich beer festival.
Gradually these flaws were addressed and things began to fall together, and I was able to unleash another new 'secret weapon' – the automatic phase corrector. This analyses the two channels and looks for similarities and phase discrepancies between them, constantly adjusting their relative position in order to further fine-tune synchronisation. (A coarser version of the same would have saved me a huge amount of work, but this operates in the realms of milli- and micro-seconds.) The result is a further marriage of the two halves and a highly integrated stereo image – at least for much of the time.
Now although an 'accidental stereo' recording such as this cannot match an intentional one, it is clear by switching between the two individual mono channels and the stereo hybrid that a massive leap has been made on behalf of the listener. At its best, and this is true for long sections of the recording, the stereo is remarkably convincing and adds hugely to the experience of the listener. At its lesser moments there is some blurring of the picture, some apparent wandering of the image, but although the fine detail of soundstage is lost, the impact rarely diminishes.
One can but hope that the discovery of these two independent recordings of this concert may lead to other similar instances coming to light. In the meantime one can only marvel at the good fortune that such an important concert recording turned out to have a long-hidden partner, ready to be reconstructed into the dramatic and thrilling musical document we present here. My thanks again go out to those who have freely contributed source recordings for this project, who discovered that such a reconstruction was possible, and took the first experimental steps in the realisation of this project."
- Andrew Rose
Recorded 27th January, 1951, Carnegie Hall, New York City
"Accidental stereo" reconstruction from NBC and Carnegie Hall recordings
XR remastering by Andrew Rose at Pristine Audio, June-July 2010
Cover artwork based on a photograph of Toscanini - 现在购买:
Giuseppe Verdi, Arturo Toscanini: Messa Da Requiem
- 发行日期：:
- 2000
- 风格:
- Choral | Requiem
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- Messa Da Requiem
I. Requiem & Kyrie
1. Requiem & Kyrie
II. Dies Irae
2. Dies Irae
3. Tuba Mirum
4. Mors Stupebit
5. Liber Scriptus
6. Quid Sum Miser
7. Rex Tremedae
8. Recordare
9. Ingemisco
10. Confutatis
11. Lacrymosa
III. Offertorio
12. Domine Jesy Christe
13. Hostias
IV. Sanctus
14. Sanctus
V. Agnus Dei
15. Agnus Dei
VI. Lux Aeterna
16. Lux Aeterna
VII. Libera Me
17. Libera Me, Domine
18. Dies Irae
19. Libera Me, Domine - 现在购买:
Giuseppe Verdi, Arturo Toscanini: 1985 Anno Europeo Della Musica - Omaggio A Verdi E Toscanini
- 发行日期：:
- 1985
- 专辑类型:
- 汇编
- 风格:
- Opera | Oratorio
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- A1. Requiem
A2. Dies Irae (Part 1)
B. Dies Irae (Concl.)
C1. Offertorio
C2. Sanctus
C3. Agnus Dei
D1. Lux Aeterna
D2. Libera Me
E. Rigoletto Act IV
F1. Inno Delle Nazione
F2. Te Deum - 说明:
- Comes With 18 pages Booklet
- 现在购买:
Arturo Toscanini, Giuseppe Verdi, Herva Nelli (s)/ Fedora Barbieri (ms)/ Giuseppe di Stefano (t)/ Cesare Siepi (bs), The Robert Shaw Chorale, NBC Symphony Orchestra: Requiem Mass
- 发行日期：:
- iInfringe
- 专辑类型:
- 相册
- 风格:
- Romantic
- 艺人:
- Arturo Toscanini | Giuseppe Verdi | Herva Nelli | Fedora Barbieri | Giuseppe di Stefano | Cesare Siepi | The Robert Shaw Chorale | NBC Symphony Orchestra
- 曲目列表:
- A1. Requiem
A2. Dies Irae (I)
B. Dies Irae (II)
C1. Offertorio
C2. Sanctus
C2. Agnus Del
D1. Lux Aeterna
D2. Libera Me - 现在购买:
Giuseppe Verdi, Arturo Toscanini, Giuseppe di Stefano, Cesare Siepi, Herva Nelli, Fedora Barbieri: Messa Di Requiem
- 发行日期：:
- 1982
- 专辑类型:
- 相册
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini | Giuseppe di Stefano | Cesare Siepi | Herva Nelli | Fedora Barbieri
- 曲目列表:
- A1. Requiem (07:42)
A2. Dies Irae (Part 1) (10:00)
B. Dies Irae (Concl.) (24:16)
C1. Offertorio (09:38)
C2. Sanctus (02:44)
C3. Agnus Dei (04:29)
D1. Lux Aeterna (05:36)
D2. Libera Me (12:53) - 说明:
- Inlay info:
Recorded January 27, 1951 - Carnegie Hall
Half speed disc mastering: G. Di Toma, E. Di Giuseppe.
Label info:
(“P”) '82 RCA Corp.
4 page insert contains notes in Italian and English plus the sung Latin text. - 现在购买:
Arturo Toscanini, Giuseppe Verdi: Requiem
- 发行日期：:
- 1981
- 专辑类型:
- 相册
- 风格:
- Choral | Requiem
- 艺人:
- Arturo Toscanini | Giuseppe Verdi
- 曲目列表:
- A. (17:45)
B. (23:40)
C. (16:50)
D. (18:28) - 说明:
- Archive Recording of 1951
Restoration M. Trishina. Editor P. Grunberg. - 现在购买:
Arturo Toscanini Conducts Giuseppe Verdi: Requiem
- 发行日期：:
- 1981
- 风格:
- ColnectIsBest
- 艺人:
- CopyWrong
- 曲目列表:
- iInfringe
- 说明:
- Archive Recording Of 1951.
Restoration M. Trishina.
Editor P. Grunberg
© «Мелодия», 1981
Всесоюзная студия грамзаписи. Запись 1981 г.
Зак. 137—О—27200
Арт. 95-1. Цена 3 руб. 50 коп. - 现在购买:
- CopyWrong
Giuseppe Verdi: Messa da Requiem
- 发行日期：:
- CopyWrong
- 专辑类型:
- 相册
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi
- 曲目列表:
- A1. Requiem
A2. Dies Irae (Part I)
B1. Dies Irae (Conclusion)
C1. Offertorio
C2. Sanctus
C3. Agnus Dei
D1. Lux Aeternea
D2. Libera Me - 说明:
- Labels are purple pink in colour.
Includes a 12''x12'' 4 page insert.
''January 27, 1951-Carnegie Hall''
Direct recording of NBC Radio broadcasting of January, 27, 1951. - 现在购买:
Giuseppe Verdi, Arturo Toscanini, NBC Symphony Orchestra: Messa di Requiem
- 发行日期：:
- 1973
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini | NBC Symphony Orchestra
- 曲目列表:
- A1. Requiem
A2. Dies Irae (part 1)
B1. Dies Irae (Conclusion)
C1. Offertorio
C2. Sanctus
C3. Agnus Dei
D1. Lux Aeterna
D2. Libera me - 说明:
- Direct recording of NBC Radio broadcasting of January, 27, 1951.
- 现在购买:
Giuseppe Verdi, Arturo Toscanini, NBC Symphony Orchestra: Requiem
- 发行日期：:
- 1973
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini | NBC Symphony Orchestra
- 曲目列表:
- A1. Requiem
A2. Dies Irae (Part 1)
B1. Dies Irae (Concluded)
C1. Offertorio
C2. Sanctus
C3. Agnus Dei
D1. Lux Aeterna
D2. Libera Me - 说明:
- Comes with 3 different inlays/booklet:
- a 4 page 12" sized booklet in German and French about Requiem
- a 4 page A4 sized booklet about Toscanini Edition in German
- a 4 page A4 sized booklet about Arturo Toscanini
Recorded in January 1951, New York
Printed on the back side of the 12" booklet:
℗ 1973
Printed on labels and back cover:
℗ 1957 - 现在购买:
Giuseppe Verdi, Arturo Toscanini, Fedora Barbieri, Giuseppe di Stefano, Cesare Siepi, Herva Nelli, NBC Symphony Orchestra: Messa Di Requiem
- 发行日期：:
- ColnectIsBest
- 专辑类型:
- 相册
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini | Fedora Barbieri | Giuseppe di Stefano | Cesare Siepi | Herva Nelli | NBC Symphony Orchestra
- 曲目列表:
- A1. Requiem (Requiem. Kyrie)
A2. Dies Irae (Dies Irae. Tuba Mirum. Mors Stupebit. Liber Scriptus)
B. Dies Irae (Quid Sum Miser. Rex Tremendae Majestatis.Recordare. Ingemisco. Confutatis. Lacrimosa)
C1. Offertorio
C2. Sanctus
C2. Agnus Del
D1. Lux Aeterna
D2. Libera Me - 现在购买:
Giuseppe Verdi, Arturo Toscanini: Реквием
- 发行日期：:
- 1960
- 风格:
- Choral | Requiem
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- A1. 1. Requiem
A2. 2. Dies Irae
B. 2. Dies Irae (Окончание)
C1. 3. Offertorio
C2. 4. Sanctus
C3. 5. Agnus Dei
D1. 6. Lux Aeterna
D2. 7. Libera Me - 说明:
- Set of 2 LPs in generic sleeves.
Запись из концертного зала [= Concert hall recording] - 现在购买:
Giuseppe Verdi, Arturo Toscanini: Requiem
- 发行日期：:
- CopyWrong
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- A1. Dies Irae (Part 1)
B1. Dies Irae (Concluded)
C1. Offertrio
C2. Sanctus
C2. Agnus Del
D1. Lux Aeterna
D2. Libera - 说明:
- Alternative Title from the center label: Requiem Mass
"This recording of the Verdi REQUIEM reproduces the actual performance of the work in Carnegie Hall, January 27, 1951, before a capacity audience within the auditorium and a nationwide radio audience which heard it via the network facilities of the National Broadcasting Company. The recording was made possible by the cooperation of the American Federation of Musicians, which arranged for RCA Victor technicians and engineers to set up microphones on stage at Carnegie Hall and record the actual performance."
Made in Great Britain (Sung in Latin) - 现在购买:
Giuseppe Verdi, Arturo Toscanini, Fedora Barbieri, Giuseppe di Stefano, Cesare Siepi, Herva Nelli, NBC Symphony Orchestra: Requiem
- 发行日期：:
- 1956-11
- 专辑类型:
- 相册
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini | Fedora Barbieri | Giuseppe di Stefano | Cesare Siepi | Herva Nelli | NBC Symphony Orchestra
- 曲目列表:
- A1. Requiem (Requiem. Kyrie)
A2. Dies Irae (Dies Irae. Tuba Mirum. Mors Stupebit. Liber Scriptus)
B. Dies Irae (Quid Sum Miser. Rex Tremendae Majestatis.Recordare. Ingemisco. Confutatis. Lacrimosa)
C1. Offertorio
C2. Sanctus
C2. Agnus Del
D1. Lux Aeterna
D2. Libera Me - 现在购买:
Giuseppe Verdi, Arturo Toscanini, NBC Symphony Orchestra, Fedora Barbieri, Giuseppe di Stefano, Cesare Siepi, Herva Nelli, The Robert Shaw Chorale: Messa Da Requiem
- 发行日期：:
- 1954
- 专辑类型:
- ColnectScrp
- 风格:
- ColnectScrp
- 艺人:
- VisitColnectCom
- 曲目列表:
- ColnectIsBest
- 说明:
- The booklet is bi-lingual: Italian and English
Deluxe printed on the front cover.
No rights society on labels. - 现在购买:
- ColnectIsBest
Giuseppe Verdi - Arturo Toscanini: Requiem
- 发行日期：:
- iInfringe
- 专辑类型:
- 相册
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- A1. Dies Irae (Part 1)
B1. Dies Irae (Concluded)
C1. Offertorio
C2. Sanctus
C2. Agnus Del
D1. Lux Aeterna
D2. Libera - 现在购买:
Giuseppe Verdi, Arturo Toscanini: Requiem
- 发行日期：:
- ColnectIsBest
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- A1. Dies Irae (Part 1)
B1. Dies Irae (Concluded)
C1. Offertorio
C2. Sanctus
C2. Agnus Dei
D1. Lux Aeterna
D2. Libera - 说明:
- - With white RCA Victor company inner sleeves with pale blue printings
- Includes 24 pp 12" 乘以 12" illustrated insert
On box:
Requiem
On labels:
In Latin
Requiem Mass
Made in U.S.A.
On inner sleeves:
Camden, N.J., U.S.A.
On booklet:
Copyright 1954, Radio Corporation of America
Printed in U.S.A.
From booklet
Recorded at the broadcast in Carnegie Hall, January 27, 1951
"This recording of the Verdi REQUIEM reproduces the actual perform-
ance of the work in Carnegie Hall, January 27, 1951, before a
capacity audience within the auditorium and a nationwide radio audi-
ence which heard it via the network facilities of the National Broad-
casting Company. The recording was made possible by the cooperation
of the American Federation of Musicians, which arranged for RCA
Victor technicians and engineers to set up microphones on stage
at Carnegie Hall and record the actual performance." - 现在购买:
Giuseppe Verdi, Arturo Toscanini, NBC Symphony Orchestra: Messa da Requiem
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini | NBC Symphony Orchestra
- 曲目列表:
- A1. Requiem
A2. Dies Irae (part 1)
B1. Dies Irae (Conclusion)
C1. Offertorio
C2. Sanctus
C3. Agnus Dei
D1. Lux Aeterna
D2. Libera me - 说明:
- iInfringe
- 现在购买:
Giuseppe Verdi, Arturo Toscanini: Requiem
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Giuseppe Verdi | Arturo Toscanini
- 曲目列表:
- A1. Dies Irae (Part 1)
B1. Dies Irae (Concluded)
C1. Offertrio
C2. Sanctus
C2. Agnus Dei
D1. Lux Aeterna
D2. Libera - 说明:
- CopyWrong
- 现在购买:
Arturo Toscanini: Verdi | Requiem
- 风格:
- Choral | Requiem | Romantic
- 艺人:
- Arturo Toscanini
- 曲目列表:
- A1. Dies Irae (Part 1)
B1. Dies Irae (Concluded)
C1. Offertrio
C2. Sanctus
C2. Agnus Del
D1. Lux Aeterna
D2. Libera - 说明:
- Enregistré lors d'une émission à Carnegie-Hall, le 27 janvier 1951.
Imprimé en France - 现在购买:
Arturo Toscanini: Verdi Requiem (STEREO) 27 January 1951 Carnegie Hall Live Toscanini/NBC Symphony
- 艺人:
- Arturo Toscanini
- 曲目列表:
- 1. Requiem
- 说明:
- Verdi Requiem <STEREO)
27 January 1951 Carnegie Hall Live
Toscanini/NBC Symphony, Herva Nelli (Soprano)
Fedora Barbieri (Alto)
Giuseppe di Stefano (Tenor)
Cesare Siepi (Bass), Robert Shaw Chorale
Ralph Hunter, conductor - 现在购买: