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Pilon: Nu Sta Li

发行日期：:: VisitColnectCom
专辑类型:: 相册
类型:: 民谣、世界和乡村
风格:: African | Funaná
艺人:: Pilon
曲目列表:: A1. Mir Sinn Do (00:45)
A2. Nu Sta Li (04:49)
A3. 20 Ano (05:23)
A4. Cecilia (05:24)
B1. Rabelados (00:51)
B2. Segunda (05:20)
B3. Tempo Passa (05:21)
B4. Manuela (06:04)
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发行日期：:: 2025
专辑类型:: 汇编
类型:: 拉丁 | 民谣、世界和乡村 | 流行音乐
风格:: Descarga | Folk | Forró | Funaná
艺人:: Various
曲目列表:: 1. Portugal A Bailar
2. A Esteticista
3. Toma Toma Toma Toma Toma
4. Boato Na Aldeia
5. Yo Te Prometo
6. Viver
7. Hino Do Santoinho
8. É No Meio Delas
9. Vira Dos Namorados
10. Hoje Eu Vou
11. Fu Fu Funaná
12. A Minha Concertina
13. Vira Da Vida
14. Aprendi A Amar
15. O Nosso Portugal
16. O Cão Do Advogado
17. De Novo A Sonhar
18. Vibração
19. Água Mole, Pedra Dura
20. O Gato E A Sardinha
21. Quem Não Arrisca, Não Petisca
22. O Padeiro
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发行日期：:: 2025
类型:: 放克 / 灵魂 | 民谣、世界和乡村
风格:: African | Funaná | Kizomba
艺人:: Calú Di Brava | Cretcheu
曲目列表:: A1. Morena
A2. Rossio
A3. Só Pa Guita
A4. Tujinha
A5. Minina
A6. Mudjer Bonita
A7. Mancas
A8. Dancing
B1. Mariana
B2. Disgraçado
B3. Carta Pa Membra
B4. Alma Di César
B5. África Do Sul
B6. Subi Somada
B7. Minino Ca Bu Tchora
B8. Sholping
说明:: Original 1990 vinyl repackaged in a new jacket, sold via Groovie Records site.
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发行日期：:: CopyWrong
类型:: 民谣、世界和乡村
风格:: Funaná | Morna
艺人:: Fogo Fogo
曲目列表:: A1. Nha Rikeza (03:54)
A2. Nascid e Criod (03:20)
A3. Kananga (03:56)
A4. Amor ê Amor (04:52)
B1. Tchoma Sereia (04:20)
B2. Um Casa Pa Morá (03:43)
B3. Nhô Buli (03:37)
C1. A Ilha (05:06)
C2. Txon Pa Caminhá (04:33)
C3. Chão Dançado (02:46)
D1. Bolero Lero (03:05)
D2. Ainda Ta Falta (05:11)
D3. Tudo Sa Ta Kaba (05:07)
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发行日期：:: VisitColnectCom
类型:: 古典 | 摇滚音乐 | 民谣、世界和乡村 | 爵士乐
风格:: Carnatic | Classical | Contemporary | Funaná | Fusion | Hindustani | Impressionist | Indian Classical | Progressive Metal | Symphonic Metal
文件格式:: MP3 Surround | WAV
艺人:: Suraj Synthesist
曲目列表:: 1. Tonic Immobility & Recovery (05:34)
说明:: Tonic Immobility is a state a body may get into, in extremely dangerous situation. The song deals with aural perception of such a trauma and recovery. It uses fusion of Fractal composition method, based on mathematics and self-similar designs, mixing with Carnatic scales of Salagam Raga amidst others. It incorporates Western Classical instruments like Timpani &Strings family , uses Heterophonic &Polyphonic textures with Rock Guitars,Drums &synthesizers. The Recovery part focuses on a transition with many other ragas finally settling on a melody in Raag YamanKalyan/ Maechkalyani /Lydian on a Sitar, thus establishing a sweet resolution.
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