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Xenophobic Ejaculation: Vala

相同系列:: 单击以看相同系列
发行日期：:: 2026-01-27
专辑类型:: 相册
类型:: 电子的 | 非音乐
风格:: Field Recording | Noise | Political | Power Electronics | Spoken Word
艺人:: Xenophobic Ejaculation
曲目列表:: Xenophobic
A. Jugend (22:31)
B. Vala (26:37)
Ejaculation
C. Dragon (21:35)
D. KKK (17:42)
DVDr
1. Jugend
2. Dragon
3. KKK
说明:: Comes in A5 stamped envelope with 16 page booklet and inserts.
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Juho Toivonen: Yhteisötalon Äänite

发行日期：:: 2025-12-19
类型:: 民谣、世界和乡村 | 舞台与银幕 | 非音乐
风格:: Field Recording | Political | Sound Art
艺人:: Juho Toivonen
曲目列表:: 1. Untitled I (10:59)
2. Untitled II (12:56)
说明:: An audio recording from a Finnish community house, documenting an evening that began as a performance by sound artist Juho Toivonen and later required corrective authorship management. The audience consisted of peace-oriented hippies, trance enthusiasts, and various practitioners of bodily and spiritual maintenance. Perception was expanded and ownership of publishing rights carefully monitored.

The first ten minutes of the CD-R capture Toivonen’s performance. He then exits the space whistling, followed by a brief ripple of applause. An at-the-time unidentified audience member steps forward and continues performing, Toivonen temporarily mistaking the atmosphere for a commons. This assumption was later retracted and his piano playing saved for only those who shared the space.

To be clear: at the request of the newly self-identified rights holder, their contribution has been removed. The missing duration has been replaced by an alternate variation performed by the compiler, inserted to stabilize the document after its encounter with capitalist enforcement. As a result, the CD-Rs themselves had to be redubbed, their material continuity broken and reasserted in the service of compliance.

What remains is an edited archival object: a performance, applause, substitution, and the faintly bitter aftertaste of having attended a communal, consciousness-oriented gathering only to be issued a firm reminder about intellectual property.

But as always, truth is victorious and conceptualism proves resilient. Life itself continues as a work of art. Masks multiply, roles shift, and occasionally the most committed performer is the one who listens.

Total playtime: 23:55. Edition of 70 numbered copies.

Förfall 52, 2025
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Foreigners Everywhere: Nothing. All the rest is a bonus.

发行日期：:: 2025-12-05
类型:: 电子的 | 舞台与银幕 | 雷鬼音乐 | 非音乐
风格:: Abstract | Bass Music | Dark Ambient | Dark Electro | Dub | Dub Poetry | Electro | Experimental | Glitch | Poetry | Political | Sound Art | Sound Poetry | Synthpunk | Trip Hop | 演讲
艺人:: Foreigners Everywhere
曲目列表:: 1. Slice Of Life (Steve Ignorant's Slice Of Life / Schwartzeneggar / Foreigners Everywhere Cover) (03:41)
2. Our Life Our World (The Mob / Foreigners Everywhere Cover / Homegrown Sound Mix 1) (03:33)
3. Our Life Our World (The Mob / Foreigners Everywhere Cover / Homegrown Sound Mix 3) (03:33)
4. Dystopia (Foreigners Everywhere / Sundials / Homegrown Sound Mix 1) (03:29)
5. Dystopia (Foreigners Everywhere / Sundials / Homegrown Sound Mix 4) (03:16)
6. Lepo - krasno (Laibach / RMX By Foreigners Everywhere) (05:13)
7. Wardance (Foreigners Everywhere, Steve Lake, Paul O'Donnell & Mark Astronaut) (04:22)
8. You Stare (Collaboration with Penny Rimbaud & Eve Libertine) (02:22)
9. You Stare (Mikado Koko Generative Cutup) (05:40)
10. Away (Notes from Dial House) (06:20)
11. Away (Mikado Koko RMX) (03:02)
说明:: ColnectIsBest
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Samuel Martínez Roque: Samuel Martínez Roque vs. The United States of America

发行日期：:: ColnectIsBest
专辑类型:: 相册
类型:: 非音乐
风格:: Audiobook | Political | Soundtrack | Spoken Word | 演讲
文件格式:: WAV
艺人:: Samuel Martínez Roque
曲目列表:: 1. Ramon Ontiveros’ Conspiracy to Defraud the United States (08:34)
2. The United States of Hunger (06:54)
3. The Price of an Immigrant's Life in America (12:17)
4. Killed In USA (Explicit) (12:05)
5. Killed In USA, Part 2 (Explicit) (10:30)
6. Not If I Still Hunger (Explicit)
7. Human Trafficking in the Form of Ramon Ontiveros
8. It's Not Sex Trafficking If No One Knows (diSambiguation of alEX armengol)
9. Wet Paper (Explicit)
10. Track 10 (Part 1)
11. Track 11 (Part 2)
12. Track 12
13. Track 13
14. Track 14
15. Track 15
16. Track 16
17. Track 17
19. Track 18
19. Track 19
20. Track 20
21. Track 21
22. Track 22
23. Track 23
24. Track 24
说明:: Samuel Martínez Roque vs. The United States of America (also referred as "Samuel Martínez Roque vs. The United States of America: Political Essays on American Hypocrisy" and the abbreviated reference "Martínez Roque vs USA") is a political essay series that confronts the hidden machinery of American hypocrisy through the lived experience of an immigrant survivor of human trafficking. Written by Samuel Martínez Roque, the series exposes the structural contradictions, bureaucratic cruelty, and systemic injustices he endured in the United States while navigating human trafficking, forced starvation, retaliation, intimidation, and repeated denial of access to justice due to the State's failure to uphold even the most basic principles of due process. Through long-form narrative essays, Martínez Roque documents how he was exploited, forced to starve, coerced, denied interpretation at hearings, dismissed by authorities, and repeatedly silenced by the very institutions that claim to protect victims, revealing a system that functions not through fairness, but through indifference. This series represents the technical, unfiltered, non-lyrical body of work behind Martínez Roque's musical project To Kill a Man. Here, the rhymes are removed, the poetry stripped away, and prose is used intentionally to tell the truth, the whole truth, and nothing but the truth because truth is an absolute defense to defamation. Blending testimony, analysis, and political indictment, this podcast exposes the divide between what America promises and what it delivers, revealing the lived reality of an immigrant surviving in a country that punishes those who refuse to disappear quietly.

Keywords: Human Trafficking, Labor Exploitation, Wage Theft, Forced Starvation, Deprivation of Basic Needs, Intimidation, Immigration-based Threats, Abuse of Legal Process, Retaliation, Harassment, Intimidation, Modern Slavery, Immigrant Labor Exploitation, Sex Trafficking, Human Rights, Structural Violence, Freedom of Speech, Philosophy, American Politics, Nonfiction, Ramon Ontiveros, Alex Armengol, Dacia Ontiveros Medina, Jr Alexander Mejia, Ramon Ontiveros Baylon, Dacia Medina, Deondre Patrick, El Paso Texas, Martínez Roque vs USA

Read Samuel Martínez Roque vs. The United States of America: Political Essays on American Hypocrisy on:
网站: https://www.samuelmartinezroque.com
LibraryThing: https://www.librarything.com/catalog/samuelmartinezroque/politicalessaysonamericanhypocrisy
Google Books: https://play.google.com/store/audiobooks/series?id=uqiQHAAAABgrvM

Listen to the Samuel Martínez Roque vs. The United States of America's audiobooks on:
YouTube: https://www.youtube.com/watch?v=n2HsHbyggrQ&list=PLtR6VT-crsDKiZc8rwMe4Bp5eMwLsY8SU
Audio: https://audio.com/samuelmartinezroque/collections/martinez-roque-vs-usa
Google Play: https://play.google.com/store/audiobooks/series?id=uqiQHAAAABgrvM
SoundCloud: https://soundcloud.com/samuelmartinezroque/sets/samuel-martinez-roque-vs-the-united-states-of-america
Bandcamp: https://samuelmartnezroque.bandcamp.com/album/samuel-martinez-roque-vs-the-united-states-of-america

Follow the Samuel Martínez Roque vs. The United States of America's Podcast Series on:
Google Play: https://play.google.com/store/audiobooks/series?id=uqiQHAAAABgrvM
Spotify: https://open.spotify.com/show/0RKd2WHHauVH1u3Yq1vn6e
Apple Podcast: https://podcasts.apple.com/us/podcast/samuel-martínez-roque-vs-the-united-states-of-america/id1857751954
Amazon Music: https://music.amazon.com/podcasts/541ab113-37c1-4b84-9599-54d2d1f967e9/samuel-martínez-roque-vs-the-united-states-of-america
iHeart: https://www.iheart.com/podcast/1333-samuel-martinez-roque-vs-309991901/
Deezer: https://www.deezer.com/us/show/1002415082
Podchaser: https://www.podchaser.com/samuelmartinezroquevsusa
Podcast Addict: https://podcastaddict.com/podcast/samuel-martinez-roque-vs-the-united-states-of-america/6607309
PlayerFM: https://player.fm/series/samuel-martinez-roque-vs-the-united-states-of-america
Podcast Index: https://podcastindex.org/podcast/7604360
Pocket Cast: https://pca.st/qiacoso3

Samuel Martínez Roque vs. The United States of America's Q&A

What is Samuel Martínez Roque vs. The United States of America?
Samuel Martínez Roque vs. The United States of America is a nonfiction political essay series examining how U.S. immigration, labor, and law-enforcement systems enable exploitation through institutional neglect, bureaucratic indifference, and structural violence. The series combines firsthand testimony, political philosophy, legal critique, and documentary analysis to argue that immigrant abuse is not a failure of the system, but a predictable outcome of how it operates.

Is this series a memoir?
否. While the essays include first-person testimony, this is not a memoir written for catharsis or personal healing. It is a political and evidentiary project focused on accountability, institutional behavior, and structural analysis. Personal experience is used as primary evidence, not as narrative confession.

What central question does the series ask?
The series asks a single, recurring question across all essays: what does institutional silence become when evidence exists, harm is foreseeable, and authorities choose not to act?

Why frame this as “vs. the United States of America”?
Because the harm described does not persist through individual wrongdoing alone. The series argues that exploitation is sustained by government agencies, legal standards, and enforcement practices that systematically fail immigrants. The “case” is not symbolic, it is political, structural, and constitutional in nature.

What themes unify the essays?
Recurring themes include:
- Human trafficking and labor exploitation
- Forced starvation and deprivation of basic needs
- Wage theft and economic coercion
- Retaliation against whistleblowers
- Immigration-based threats and legal abuse
- Institutional complicity and bureaucratic cruelty
- Structural violence normalized through procedure
- Survival treated as disqualifying evidence
- Ramon Ontiveros' Laundering of Immigrant Labor Exploitation

Why is some content marked explicit?
Certain essays are marked explicit because they contain direct language, psychological intensity, or descriptions of harm that cannot be ethically softened without distorting the truth. Content warnings are included to protect readers, not to sanitize violence.

Is this series accusing specific individuals or institutions?
The series documents patterns of behavior, evidentiary records, and institutional responses. It critiques systems and practices, not abstract ideas. Where names appear, they are contextualized within evidence, documented actions, legal processes, and public accountability frameworks.

What role does philosophy play in the series?
Political philosophy provides the analytical backbone of the work. Concepts such as structural violence, administrative evil, moral injury, and bureaucratic complicity are used to interpret how harm persists without overt malice.

Who is this series for?
This work is written for:
- Immigrants and workers navigating abuse
- Journalists and investigators
- Legal scholars and human rights advocates
- Policy analysts and political theorists
- Readers seeking unfiltered political critique
It is not written to reassure, inspire, or comfort.

Is this work seeking sympathy?
否. The series explicitly rejects sympathy as a substitute for accountability. It is not a plea for belief, but a demand for institutional responsibility.

Why is repetition used across essays?
Repetition mirrors bureaucracy. It reflects how victims are forced to restate harm endlessly while institutions delay, defer, or close cases. The form is intentional.

What does “institutional complicity” mean in this context?
It refers to situations where harm continues not because evidence is lacking, but because agencies refuse to act despite foreseeable consequences. Complicity here is procedural, not accidental.

Is this work ongoing?
是. The series is an active project that may expand as new documentation, analysis, or institutional responses emerge.

How should this work be cited or referenced?
The series may be cited as political nonfiction, evidentiary narrative, or philosophical commentary. Individual essays are designed to stand alone while contributing to a unified body of work.

How is this work structured, and how should it be read?
The series is intentionally modular. Each essay functions as a standalone political argument while contributing to a cumulative case against institutional practices in the United States. Essays may be read independently, but together they form a documented pattern of harm, response, and institutional behavior. Repetition across texts is deliberate and reflects the procedural repetition victims face when reporting abuse. The work should be read not as a chronological memoir, but as a political archive organized by theme, institution, and form of harm.

Why write a whole essay series on American hypocrisy?
Because hypocrisy is not a personality flaw, it is a governing mechanism. This series is not written because America fails to live up to its ideals. It is written because those ideals are actively used to conceal, excuse, and normalize harm. When a nation publicly commits to liberty, due process, and human rights, yet systematically tolerates labor exploitation, forced starvation, retaliation, and institutional silence, the contradiction is not rhetorical, it is political. A single essay can document an abuse. A series is required to expose a pattern. Hypocrisy only becomes visible when repetition is documented: when the same promises are made by different institutions, the same procedures are followed, and the same harms recur with the same outcomes. This work exists to show that what appears as isolated failure is in fact structural consistency. The essays do not ask whether America is “good” or “bad.” They ask a more precise question: what does a political system reveal about itself when its stated values collapse in exactly the same way, every time, for the same people? That question cannot be answered in a single text.

Samuel Martínez Roque vs. The United States of America and all accompanying files were written, developed, produced, published, and distributed by Samuel Martínez Roque.

© 2025 Samuel Martínez Roque. All rights reserved. All content on this publication, including but not limited to text, graphics, images, audio, video, and other creative works, is the intellectual property of Samuel Martínez Roque unless otherwise stated. Unauthorized reproduction, distribution, modification, public display, or transmission of any content from this site, in whole or in part, is strictly prohibited without the prior written consent of the author. Limited use of brief excerpts is permitted for non-commercial purposes only, provided that proper attribution is given and a direct link to the original content is included. It is illegal to copy this work, post it to a website, or distribute it by any other means without permission.
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ML [5]: Dreamt it

发行日期：:: iInfringe
专辑类型:: 相册
类型:: 电子的 | 非音乐
风格:: Abstract | Ambient | Downtempo | Electroacoustic | House | Minimal | Musique Concrète | Political | Sound Collage | Spoken Word | Techno
艺人:: ML [5]
曲目列表:: A 1. I`m Hooked (03:03)
A 2. Arpeggio Rain (03:08)
A 3. Y’r (02:02)
A 4. Heavy City (01:30)
A 5. The Ultimate Authority (05:20)
A 6. Cultural DNA (02:52)
A 7. Zekno (03:07)
A 8. Hypnotische Insel (04:32)
A 9. The Ocean (05:24)
A 10. Ignorance of History (04:26)
B 1. Sunday Drone (02:17)
B 2. The Laugh (02:39)
B 3. Bomarzo (06:18)
B 4. Alles Klar (feat. Vittoria Totale) (03:07)
B 5. Ama (00:31)
B 6. Polyklet (02:44)
B 7. Gia (03:44)
B 8. Gallery Weeknd (02:51)
B 9. Cracolândia (03:21)
B 10. Young Meme (02:12)
B 11. Blackfoot Forest People (01:40)
B 12. Every language under the sun (01:28)
B 13. Hello Image (01:00)
说明:: ColnectIsBest
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Ladislav Meliško: Kompletná Meliškografia

发行日期：:: 2025-10-22
专辑类型:: 相册
类型:: 非音乐
风格:: Comedy | Dialogue | Education | Field Recording | Monolog | Occult | Poetry | Political | Public Broadcast | Religious | Sound Poetry | Spoken Word | 演讲
艺人:: Ladislav Meliško
曲目列表:: A1. Cibuľa
A2. Voda
A3. Tepláky
A4. Nos
A5. Človek Maľuje
A6. Päťsto Korún
A7. Feferónky
A8. Bubny
A9. Montérky
A10. Zápalky
B1. Soľ Neni
B2. Hríby
B3. Dvere
B4. Televízor
B5. Papuča
B6. Mravce
B7. Kožuch Zo Zavináča
B8. Varenie
说明:: A9, A10, B7, B8 are bonus tracks exclusive to cassette version

Limited to 22 hand-numbered copies
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乃٥乃, Ougdol: GN

发行日期：:: CopyWrong
专辑类型:: 相册
类型:: 电子的 | 非音乐
风格:: Comedy | Electroacoustic | Experimental | Field Recording | Political | 技术的
艺人:: 乃٥乃 | Ougdol
曲目列表:: 1. GN14-3_Pr0l0gnome_Etan࿐ ࿔gnomie
2. GN2_Tobggજ⁀_D100 (02:05)
3. GN6-3_Central_Roc⛩e_d_Passages (02:25)
4. GN5-2_Trésor_Au⛫____ (03:01)
5. GN10_Interchange_Hablussi˚｡ns (00:56)
6. GN9-5_O'Logis_Plénitudes (02:23)
7. GN4-1_Gnomv༄✦illance_é_Sentes (02:20)
8. GN12-4_ℤℤℤℤℤ_A⤵pis (01:47)
9. GN11-3_Les𓂂𓂂_Cérémoni (02:48)
10. GN13-4_←Tauper (01:37)
11. GN8-2_Verɕɕants_des_FLErement-Gémni⋆q (01:45)
12. GN3-1_Léˎˊ˗_Gémonies_Hégɘgnom (02:07)
13. GN7-4_L'h_dé_Ω (02:44)
说明:: iInfringe
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Abused Code: abused code.

发行日期：:: 2025-09-27
专辑类型:: from colnect.com
类型:: ColnectIsBest
风格:: from colnect.com
艺人:: ColnectIsBest
曲目列表:: ColnectScrp
说明:: ColnectScrp
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Isenkram: Isenkram

相同系列:: 单击以看相同系列
发行日期：:: ColnectIsBest
专辑类型:: 相册
类型:: 民谣、世界和乡村
风格:: Folk Rock | Nordic | Political
艺人:: Isenkram
曲目列表:: 1. Oljepols (03:14)
2. Soga Om Kark (03:43)
3. Thornæs-Visa (03:11)
4. Bøndene På Capri Ø (02:13)
5. Lisa (01:41)
6. Hilsen (02:15)
7. Gå Til Hr. Treschow (02:09)
8. Trondhjæms Blaa (04:22)
9. SIPO-Balladen (05:08)
10. Hunde-(A)visa (02:52)
11. Frem Kamerater (01:45)
12. Ashbal (03:15)
13. Det Nye Livet (03:33)
14. Bonus: Trondhjæms Nye Blaa (Live!) (08:04)
15. SIPO-Balladen (Sensurert Versjon) (05:08)
说明:: ColnectIsBest
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Various: Orient Express

发行日期：:: iInfringe
专辑类型:: 汇编
类型:: 电子的 | 非音乐
风格:: Ambient | Drone | Experimental | Industrial | Musique Concrète | Political | Sound Art
文件格式:: WAV
艺人:: Various
曲目列表:: 1. Polonio Express (03:41)
2. Po84-X (09:31)
3. Man.Tra.In (09:17)
4. El Viaje de Polonio (03:49)
5. Principalmente Partículas Alfa (06:56)
6. Waiting For A Different Trans Orient Express (09:56)
7. Metall Auf Metall (09:23)
8. Guitar Train (07:40)
9. Parada Con Andén Central (06:42)
10. Tormenta en el Orient Express (04:00)
11. Pero Eduardo, los de Cercanías Siempre Van con Algo de Retraso
12. Mystic Train (04:08)
13. Dirty Rails (06:11)
14. El Tren de Polonio (05:40)
15. Esperando a Polonio en el anden de la estacion (06:17)
16. Expression & Orientation (08:02)
17. Koko (04:29)
18. Limbo (07:08)
19. La Orient Express Pasanta Tra Inssbruck 1925 (06:59)
20. Mirallers intersección Gare de Lyon (03:44)
21. Desperté en el Orient Express y me volví a dormir (04:44)
22. Un Bello Viaje (09:30)
23. Tren Hacia Ninguna Parte (07:08)
24. Construxismo en Movimiento Un Viaje a Través de la Geometría Sonora. Año 2024 (02:48)
25. Destrozaron Sus Horarios (04:36)
26. Hoy (10:01)
27. Orient Express Movie (02:47)
28. Até Rossio (05:38)
29. I'm Going To Take The London Necropolis Railway (03:12)
30. At Night Through Istanbul (05:14)
31. Rails Of The Orient Express (06:17)
32. Polonio no es un elemento químico. De París a Estambul en ácido (Round Trip Mix) (08:49)
33. Orient Endless (04:04)
34. Trenes, trens, trains, züge, treni, pociągi, поезда and trains (05:25)
35. Anyorança (01:16)
36. Fragmentación Sonora: Ecos de lo Imaginario. Año 2024 (03:37)
37. Lloran los cristales del tren alejándose de la estación. (Homenaje a Eduardo Polonio) (06:12)
38. Destructured Flows (04:55)
39. Rosa de Job (18:24)
40. Expresso Amarte (07:26)
41. Encuentro en Aljaraque (04:57)
42. Perso In Stazione (03:01)
43. Take The E Train (06:09)
44. Odraude Oinolop al Final del Transiberiano (07:07)
45. Mvateoe (Slow Mix) (08:04)
46. Rápido A La Plata (05:20)
47. Biatorbagy 1931 (06:10)
48. Ri-a-ri-a-ta-ta Express (04:43)
49. Polonio Tomó el Orient Express (06:12)
50. Estació D'Enllaç (07:43)
51. How to see 2 (Indian Railroad Mix) (03:45)
52. Breaking the Pattern of Motion (05:24)
53. My Wish (03:46)
54. Viajar en lo Invisible (07:19)
55. A Brief Explanation (13:43)
56. Oriente Onírico (07:27)
57. Canal Turn (05:18)
58. Decode (05:55)
59. Siete Minutos Para Eduardo (07:18)
60. Un Viaje Particular (09:00)
61. Destino Polonio (08:40)
62. Last Train To Kusinara (07:07)
63. Mi Vía Lisérgica (06:12)
64. Cadencia (05:20)
说明:: EDICIÓN FÍSICA DE LA I CONVOCATORIA INTERNACIONAL MORADA SÓNICA: "ORIENT EXPRESS" (Homenaje a Eduardo Polonio)

Esta edición especial reúne las 64 piezas creadas por los artistas participantes en la compilación comisariada por Morada Sónica entre el 30 de junio de 2024 y el 31 de mayo de 2025.

Se trata de una cuidada compilación internacional dedicada al pionero Eduardo Polonio, presentada en un formato único:
Un USB con diseño de cassette, que une lo nostálgico con lo contemporáneo.

Todas las pistas están en formato WAV, garantizando la máxima fidelidad sonora y una experiencia auditiva de alta calidad.

Edición limitada y numerada de solo 100 unidades.

Una obra sonora realizada por Marcelo Expósito para la I Convocatoria Internacional Morada Sónica: Orient Express, en homenaje al músico español Eduardo Polonio.
------------
PHYSICAL EDITION OF THE 1ST INTERNATIONAL MORADA SÓNICA CALL FOR ENTRIES: "ORIENT EXPRESS" (Tribute to Eduardo Polonio)

This special edition brings together the 64 pieces created by the participating artists in the compilation curated by Morada Sónica between June 30, 2024, and May 31, 2025.

This is a carefully curated international compilation dedicated to the pioneer Eduardo Polonio, presented in a unique format:
A USB with a cassette design, uniting the nostalgic with the contemporary.

All tracks are in WAV format, guaranteeing maximum sound fidelity and a high-quality listening experience.

Limited and numbered edition of only 100 units.

A sound work created by Marcelo Expósito for the 1st International Morada Sónica Call for Entries: Orient Express, in tribute to the Spanish musician Eduardo Polonio.
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