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Johannes Brahms / Glenn Gould: 10 Intermezzi For Piano

相同系列:: from colnect.com
发行日期：:: 2024-11-27
专辑类型:: from colnect.com
类型:: iInfringe
风格:: iInfringe
艺人:: ColnectIsBest
曲目列表:: ColnectScrp
说明:: Recording: 九月 29, 30, 1960 (tracks 1 to 4, 10), 十一月 21, 23, 1960 ((tracks 5 to 9) 30th Street Studio, New York;
2月 8-10, 1982 (tracks 11, 12), June 30, July 1, 1982 (tracks 13, 14) RCA Studio A, New York.
现在购买:: ColnectIsBest

Khatia Buniatishvili: Motherland

相同系列:: iInfringe
发行日期：:: 2024-11-27
专辑类型:: ColnectIsBest
类型:: from colnect.com
风格:: ColnectScrp
艺人:: ColnectScrp
曲目列表:: from colnect.com
说明:: from colnect.com
现在购买:: iInfringe

Ernest Chausson, Louis Vierne - Éric Le Sage, Daishin Kashimoto, Schumann Quartett: Concert, Op.21 / Quintette, Op.42

发行日期：:: 2024
类型:: 古典
风格:: Chamber Music | Impressionist | Piano | Romantic | String Ensemble | String Instrument
艺人:: Ernest Chausson | Louis Vierne | Éric Le Sage | Daishin Kashimoto | Schumann Quartett
曲目列表:: 1. I - Décidé
2. II - Sicilienne
3. III - Grave
4. IV - Finale
5. I - Poco Lento
6. II - Larghetto Sostenuto
7. III- Maestoso
说明:: no timings indicated
recorded May 2024
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Wolfgang Amadeus Mozart - Khatia Buniatishvili, The Academy Of St. Martin-in-the-Fields: Piano Concertos Nos. 20 & 23

相同系列:: 单击以看相同系列
发行日期：:: 2024
类型:: 古典
风格:: Classical | Concerto | Orchestra | Piano | Sonata
艺人:: Wolfgang Amadeus Mozart | Khatia Buniatishvili | The Academy Of St. Martin-in-the-Fields
曲目列表:: 1. I Allegro (13:25)
2. II Romance (09:18)
3. III Allegro Assai (07:03)
4. I Allegro (10:18)
5. II Adagio (07:23)
6. III Allegro Assai (07:37)
7. I Allegro (04:11)
8. II Adagio (07:37)
9. III Rondo . Allegretto (01:33)
说明:: recorded January 27 & 28 , 2024
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José Iturbi: From Hollywood To The World - The Rediscovered Recordings By Pianist And Conductor

发行日期：:: 2023-03-03
专辑类型:: 汇编
类型:: 古典
风格:: Classical | Concerto | Dances | Orchestra | Piano | Prelude | Romantic | Sonata | Symphony
艺人:: José Iturbi
曲目列表:: 1-1. I Allegro
1-2. II Andante
1-3. III Rondeau. Allegro
1-4. I Allegro
1-5. II Romance
1-6. III [Allegro Assai]
2-1. I Allegro Maestoso. Tempo Giusto
2-2. II Quasi Adagio – Allegretto Vivace
2-3. II Quasi Adagio – Allegretto Vivace
2-4. I Molto Allegro Con Fuoco – Attacca
2-5. II Andante – Attacca
2-6. III Presto – Molto Allegro E Vivace
2-7. I Allegro Con Brio
2-8. II Largo
2-9. III Rondo. Allegro – Presto
3-1. Rhapsody In Blue
3-2. Three Blind Mice
3-3. Three Blind Mice
3-4. I Chicken In The Hay
3-5. II Lush
3-6. III Bloozey-Woozey
3-7. IV Parade Of The Visiting Firemen
3-8. I Rhumba
3-9. II Tango
3-10. III Guaracha
3-11. IV Conga
3-12. Espanharlem
3-13. Soliloquy
4-1. I Allegro Con Spirito
4-2. II Andante
4-3. III Molto Allegro
4-4. No. 1: Très Vite Et Impétueusement
4-5. No. 2: Mouvement Modéré de Valse
4-6. No. 3: Animé
4-7. Pequeña Danza Española
4-8. I Avec emportement
4-9. II Lent. Sombre – Sourdement
4-10. III Scherzando
4-11. I Vif
4-12. II Modéré
4-13. III Brazileira
4-14. La Siesta
4-15. Guadalquivir
4-16. Sevillana
5-1. Clair de Lune L 75/3
5-2. Liebestraum No. 3 In A-flat Major
5-3. Rêverie L 68
5-4. Bagatelle In A Minor “Für Elise” Woo 59
5-5. Arabeske In C Major Op. 18
5-6. No. 1 In E Major
5-7. No. 2 In G Major
5-8. Danza Del Terror
5-9. Prélude In C-sharp Minor Op. 3/2
5-10. Les Jeux D’eaux à la Villa D’Este S 163/4
5-11. Danza Ritual Del Fuego
5-12. Allegro Appassionato In C-sharp Minor Op. 70
5-13. Malagueña Op. 165/3
5-14. Étude In C Minor “Revolutionary” Op. 10/12
5-15. Polonaise In A-flat Major “Heroic” Op. 53
6-1. Jardins Sous la Pluie L 100/3
6-2. Romance In F-sharp Major Op. 28/2
6-3. No. 9 In E Major
6-4. No. 10 In C-sharp Minor
6-5. No. 15 In D-flat Major “Raindrop”
6-6. Nocturne In B Major Op. 32/1
6-7. El Viejo Castillo Moro
6-8. Canción de Cuna
6-9. Danza Española In C Minor “Oriental”
6-10. Mazurka In A Minor Op. 7/2
6-11. Mazurka In F Minor Op. 7/3
6-12. Mazurka In C Major Op. 33/2
6-13. Mazurka In E Minor Op. 41/1
6-14. Mazurka In B Minor Op. 33/4
6-15. Scherzo No. 2 In B-flat Minor Op. 31
6-16. I Doctor Gradus Ad Parnassum
6-17. II Jimbo’s Lullaby
6-18. III Serenade For The Doll
6-19. IV The Snow Is Dancing
6-20. V The Little Shepherd
6-21. Jeux D’eau M 30
6-22. Gato
7-1. I Allegro
7-2. II Andante
7-3. III Rondeau. Allegro
7-4. I Allegro
7-5. II Romance
7-6. III [Allegro Assai]
8-1. I Allegro Con Brio
8-2. II Largo
8-3. III Rondo. Allegro – Presto
8-4. Rhapsody In Blue
8-5. Pavane Pour Une Infante Défunte M 19
8-6. Passacaglia In C Minor Bwv 582
9-1. I Andante Grazioso
9-2. II Menuetto – Trio
9-3. III [Rondo] Alla Turca. Allegretto
9-4. I Allegro
9-5. II Adagio
9-6. III Allegro Assai
9-7. Fantaisie-Impromptu In C-sharp Minor Op. Posth. 66
9-8. Waltz In D-flat Major “Minute” Op. 64/1
9-9. Waltz In C-sharp Minor Op. 64/2
9-10. Mazurka in B-flat major op. 7/1
10-1. Sevilla (Sevillanas) Op. 47/3
10-2. Quejas O La Maja y El Ruiseñor Op. 11/4
10-3. Sonata In B Minor K 27 (L 449)
10-4. Sonata In C Major K 159 (L 104)
10-5. Allegro In A Major “Toccata”
10-6. Pequeña Danza Española
10-7. Andante In F Major “Andante Favori” Woo 5
10-8. Córdoba Op. 232/4
10-9. Marche Funèbre
10-10. Caprice Arabe Op. 96
10-11. L’Isle Joyeuse L 106
10-12. Sentimiento
10-13. No. 1 In E Major
10-14. No. 2 In G Major
10-15. Fantasia In C Minor Bwv 906
10-16. Danza Española In G Major “Danza Triste (Melancólica)”
10-17. Boogie Woogie Étude
10-18. Blues
11-1. Danza Ritual Del Fuego
11-2. Danza Del Terror
11-3. Clair de Lune L 75/3
11-4. Liebestraum No. 3 In A-flat Major
11-5. Polonaise In A-flat Major “Heroic” Op. 53
11-6. Arabeske In C Major Op. 18
11-7. Rêverie L 68
11-8. Variations In C Major Hob. Xvii:5
11-9. Minuet In G Major “À L’Antique” Op. 14/1
11-10. Bagatelle In A Minor “Für Elise” Woo 59
11-11. Träumerei Op. 15/7
11-12. Pavane Pour Une Infante Défunte M 19
11-13. Humoresque Op. 10/5
11-14. No. 1: Ritmo
11-15. No. 2: Sentimiento
11-16. No. 3: El Vito (Gracia)
11-17. June: Barcarolle
11-18. November: In A Troïka
11-19. Une Larme
12-1. I Introduction. Andante Con Moto
12-2. II Scherzo. Vivace Non Troppo
12-3. III Adagio Cantabile
12-4. IV Allegro Guerriero. Allegro Vivacissimo
12-5. I Adagio – Allegro Molto
12-6. II Largo
12-7. III Scherzo. Molto Vivace
12-8. IV Allegro Con Fuoco
13-1. Fantasy On Hungarian Folk Melodies S 123
13-2. I Danza de Los Vecinos (Seguidilla)
13-3. II Danza Del Molinero (Farruca)
13-4. III Danza Final (Jota)
13-5. Marcha Burlesca
13-6. Homenaje A Debussy
13-7. Homenaje A la Tempranica
13-8. Seguidillas
13-9. Interior
13-10. No. 1: El Paño Moruno
13-11. No. 2: Seguidilla Murciana
13-12. No. 3: Asturiana
13-13. No. 4: Jota
13-14. No. 5: Nana
13-15. No. 6: Canción
13-16. No. 7: Polo
13-17. Cuando Tan Hermosa Os Miro… Op. 90/1
13-18. Mr. Héctor De Lara Interviews Mr. José Iturbi
13-19. Introduction To Interview
13-20. Ritual Fire Dance
13-21. Interview
13-22. The Joint Is Really Jumping Down At Carnegie Hall
14-1. No. 8 In C Major: Sardana (Asturiana)
14-2. No. 12 In A Minor: Bolero (Arabesca)
14-3. No. 9 In B-flat Major: Romántica (Mazurka)
14-4. II La Andaluza Sentimental (monólogo)
14-5. III La Morena Coqueta (escena)
14-6. No. 1: Canto Flamenco
14-7. No. 2: Danse Gitane
14-8. No. 3: Âniers Sur la Route de Séville
14-9. No. 4: Tientos
14-10. Granada (Serenata) Op. 47/1
14-11. Córdoba Op. 232/4
14-12. Dance For Piano In G Major “Danza Valenciana”
14-13. Malagueña
14-14. The White Peacock Op. 7/1
14-15. Guadalquivir
14-16. Ritmo
14-17. Sonata For 2 Pianos In D Major K 448 (375a) III Molto Allegro
14-18. Ritmo
15-1. El Pelele (Goyesca)
15-2. I Los Requiebros
15-3. II Coloquio En la Reja
15-4. III El Fandango Del Candil
15-5. IV Quejas O La Maja y El Ruiseñor
15-6. V El Amor y la Muerte. Balada
15-7. VI Epílogo. Serenata Del Espectro
16-1. Valses Nobles Et Sentimentales M 61
16-2. No. 10: Scherzo-Valse – Vivo
16-3. No. 6: Idylle – Allegretto Avec Fraîcheur Et Naïveté
16-4. Bourrée Fantasque
16-5. 34 Valses Sentimentales D 779 Nos. 5–9, 1, 2, 11–13, 15–24, 27, 26, 29, 33 & 30–32
16-6. 12 Valses Nobles D 969
16-7. Danza de Las Labradoras Valencianas
16-8. No. 2 In A Minor – Allegretto
16-9. No. 14 In E-flat Minor – Adagio
16-10. No. 24 In D Minor – Allegretto
16-11. Impromptu No. 3 In A-flat Major Op. 34
16-12. I Allegro
16-13. II Andante Cantabile
16-14. III Allegretto Grazioso
说明:: ColnectIsBest
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Yaara Tal: 1923

发行日期：:: CopyWrong
类型:: 古典
风格:: Modern | Piano | Prelude | Sonata
艺人:: Yaara Tal
曲目列表:: 1. Scherzando
2. Quick
3. Con Moto. With Lively Ondulating Movement
4. No. 1 / Nr. 1: Chalom (Dream/Traum). Trasognato
5. No. 2 / Nr. 2: Birkat-Shalom (Greeting/Begrüßung). Allegro Affabile
6. Nirvana
7. I. Deine Wellen Umpspielten Mich
8. V. Lächelnd über Silberwolken Neigte Sich Segnend Herab Der Äther
9. VI. Wohl Gehn Frühlinge Fort, Ein Jahr Verdränget Das Andre
10. VII. In Seiner Fülle Ruhet Der Herbsttag Nun
11. XI. Die Schwärmerische, Die Nacht, Kommt Voll Mit Sternen
12. XIII. Verloren Ins Weite Blau
13. XIV. Aber Schwer In Das Tal Hing Die Gigantische, Schicksalskundige Burg, Nieder Bis Auf Den Grund von Den Wettern Zerrissen
14. XV. Beweglicher Eilt Schon Die Wache Quelle
15. Walzer From Fünf Klavierstücke, Op. 23
16. Zweite Sonate Für Klavier, Op. 6
17. Die Maschine, Op. 1
18. Malostranský Palác
19. Melodie
20. Jen Slepy Osud?
21. I. Plaintif Sans Espoir - Expliquez - Questionez - Répondez - Plus Suppliant - Plus Decidez - Hésitez
22. II. Modéré - Expliquez - Suppliant - Exaltez Vous - Donnez Des Excuses Dans la Pensée - Avec Confiance
23. Gavotte
24. Menuet
25. Mazurka "à la Chopin"
26. Petite Marche
27. L'ingénue. Ingenuo E Danzante
28. L'oncle Tom (Rag Time) Allegretto Giocoso Ma Lordo
29. Le Fox-trot Angoissé. Moderato E Doloroso
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Albert Guinovart: Poems Without Words

发行日期：:: 2023
类型:: 古典
风格:: Contemporary | Nocturne | Piano | Prelude
艺人:: Albert Guinovart
曲目列表:: 1. Years Had Been From Home
2. As Far From Pity, As Complaint
3. Hope Is The Thing With Feathers
4. Just Lost, When I Was Saved!
5. If I Shouldn't Be Alive
6. No. 1 In B Major
7. No. 2 In F Minor
8. No. 3 in B Flat Major: Lullaby
9. No. 4 In E Minor
10. No. 5 In A Major: Homenatge A Xavier Montsalvatge
11. No. 6 In E Flat Minor: Alla Maniera di Rachmaninov
12. No. 7 In A Flat Major: Marcia
13. No. 8 In D Minor
14. No. 9 In G Major
15. No. 10 In C Sharp Minor
16. No. 11 In F Sharp Minor
17. No. 12 In C Minor: Siciliana
18. No. 13 In B Minor: Tarantella
19. No. 14 In F Major
20. No. 15 In B Flat Minor
21. No. 16 In E Minor
22. No. 17 In A Minor: Alla Maniera Di Schubert
23. No. 18 In E Flat Major: Gallop
24. No. 19 In G Sharp Minor
25. No. 20 In D Major: Polonaise
26. No. 21 In G Minor
27. No. 22 In D Flat Major: Chopiniana
28. No. 23 In F Sharp Minor
29. No. 24 In C Major: A Sigfrid
30. Nocturn A Eulàlia
31. Nocturn "Poema D´amor"
32. Nocturn A Adelaisa
33. Nocturn "Amor Prohibit"
34. Nocturn A Maria
35. Ninna Nanna Per Elisa
36. Ninna Nanna Per Daniele
37. Ninna Nanna Per Clara
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Johann Sebastian Bach, Glenn Gould: Goldberg Variations (1954 CBC Broadcast Recording)

发行日期：:: from colnect.com
类型:: 古典
风格:: Baroque | Piano | Theme With Variations
艺人:: Johann Sebastian Bach | Glenn Gould
曲目列表:: A1. アリア
A2. 第1変奏 1段鍵盤
A3. 第2変奏 1段鍵盤
A4. 第3変奏同度のカノン、1段鍵盤
A5. 第4変奏 1段鍵盤
A6. 第5変奏 1段あるいは2段鍵盤
A7. 第6変奏 2度のカノン、1段鍵盤
A8. 第7変奏 1段あるいは2段鍵盤
A9. 第8変奏 2段鍵盤
A10. 第9変奏 3度のカノン、1段鍵盤
A11. 第10変奏フゲッタ、1段鍵盤
A12. 第11変奏 2段鍵盤
A13. 第12変奏 4度の反行カノン
A14. 第13変奏 2段鍵盤
A15. 第14変奏 2段鍵盤
A16. 第15変奏ト短調、5度の反行カノン、1段鍵盤
B1. 第16変奏序曲、1段鍵盤
B2. 第17変奏 2段鍵盤
B3. 第18変奏 6度のカノン、1段鍵盤
B4. 第19変奏 1段鍵盤
B5. 第20変奏 2段鍵盤
B6. 第21変奏 7度のカノン
B7. 第22変奏アラ・ブレーヴェ、1段鍵盤
B8. 第23変奏 2段鍵盤
B9. 第24変奏 8度のカノン、1段鍵盤
B10. 第25変奏 2段鍵盤
B11. 第26変奏 2段鍵盤
B12. 第27変奏 9度のカノン、2段鍵盤
B13. 第28変奏 2段鍵盤
B14. 第29変奏 1段あるいは2段鍵盤
B15. 第30変奏クオドリベット、1段鍵盤
B16. アリア・ダ・カーポ
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Glenn Gould: The Goldberg Variations - The Complete Unreleased 1981 Studio Sessions

相同系列:: 单击以看相同系列
发行日期：:: 2022-09-30
类型:: 古典
风格:: Baroque | Piano | Solo
艺人:: Glenn Gould
曲目列表:: Wednesday, April 22, 1981, Studio C
1-1. Take 1 (03:00)
1-2. "A Great Take"
1-3. Take 1 (01:13)
1-4. "Slightly Too Fast"
1-5. Take 2 (01:15)
1-6. "I’d Like To Do One More Time" (01:01)
1-7. Take 3 (01:15)
1-8. "I Keep Forgetting" (01:46)
1-9. Take 4 (01:14)
1-10. "Now, That Sounded Great" (02:26)
1-11. Take 1
1-12. "Not A Bad Take" (01:45)
1-13. Take 2
1-14. "Dammit, There Was A Missed Note" (01:17)
1-15. Take 4
1-16. "There Was A 'Wow' At The Beginning Of The Second Half"
1-17. Take 5
1-18. "The First Half Was No Good" (01:41)
1-19. Take 7
1-20. "Okay?"
1-21. Take 1 B
1-22. "Again, Please"
1-23. Take 2 B
1-24. "I Don’t Like It"
1-25. Take 3 (01:36)
1-26. "I Tried The Fast Version"
1-27. Take 4 (01:35)
1-28. "How About That?"
1-29. Take 1
1-30. "I Forgot To Put In A Ritard, Dammit" (02:06)
1-31. Take 5
1-32. "Tremendous"
1-33. Take 6
1-34. "Okay, We've Got A Choice"
1-35. Take 1
1-36. "Sorry. I’m Very Sorry, Glenn"
1-37. Take 3
1-38. "Not Bad"
1-39. Take 5
1-40. "That Had Loads Of Character"
1-41. Take 6
1-42. "How About That?"
1-43. Take 1 (01:21)
1-44. "A Wrong Note Near The End"
1-45. Take 2 (01:19)
1-46. "That Was A Hell Of A Good Take"
1-47. Take 1 B
1-48. "Oh, Merde. Take 2, Please"
1-49. Take 2 (01:04)
1-50. "Not A Bad Take"
1-51. Take 3
1-52. "Sorry, I Forgot The Legato"
1-53. Take 4 (01:03)
1-54. "Also A Good Take"
1-55. Take 5 (01:02)
1-56. "We Got Lots Of Choice" (01:31)
Thursday, April 23, 1981
1-57. Take 1 (01:06)
1-58. "It Was A Wrong Note…" (01:07)
1-59. Take 2 (01:06)
1-60. "I Seem To Be Incapable Of Doing That" (02:12)
1-61. Take 3 (01:07)
1-62. "A Sloppy Trill At The End" (01:12)
1-63. Take 4 (01:06)
1-64. "This Was Gorgeous"
1-65. Take 5 (01:05)
1-66. "Too Many Little Things" (01:01)
1-67. Take 6 (01:06)
1-68. "Very Good Things" (01:31)
1-69. Take 7 (01:06)
1-70. "Also Very Good"
1-71. Take 8
1-72. "Oh Shit, It Was Going Very Well Until Then"
1-73. Take 9
1-74. "Sorry. Sorry"
1-75. Take 10 (01:04)
1-76. "We’ve Got Lots Of Choice, Bruno"
2-1. "All Right, Glenn" (01:22)
2-2. Take 1
2-3. "I Hope You Got That"
2-4. Insert 1 – Take 1 ′′
2-5. "That Got It For The Bar Only"
2-6. Insert 1 – Take 2 ′′′
2-7. "I'm Not Sure If The Tempo Was Quite Right On That One"
2-8. Insert 1 – Take 3
2-9. "Well, We’ve Got The First Two"
2-10. Insert 1 – Take 4
2-11. "That Felt Very…"
2-12. Insert 2 – Take 1 ′′
2-13. "We Got The Spot" (01:00)
2-14. Insert 2 – Take 2
2-15. "How About That One?"
2-16. Insert 2 – Take 3
2-17. "Shit. Okay, Well, We Got..."
2-18. Insert 3 – Take 1
2-19. "Hah. But They Got It, The Real Spot, Right?"
2-20. Insert 3 – Take 2
2-21. "That… I Don’t Know About The Level"
2-22. Insert 3 – Take 3
2-23. "Okay, Glenn, We’re 1 Db Over Now"
2-24. Insert 3 – Take 4 ′′′
2-25. "Now, Glenn, I'm Sorry, We’re Down A Little Bit Again"
2-26. Insert 3 – Take 5
2-27. "I Don't Like The Feel Of The Line"
2-28. Insert 3 – Take 6 ′′′′′
2-29. "Would You Like To Turn On Some More Lights Out Here"
2-30. Insert 3 – Take 7 ′′′
2-31. "Not Very Smooth. One More Time"
2-32. Insert 3 – Take 8 ′′′
2-33. "Once More"
2-34. Insert 3 – Take 9
2-35. "The Last Bar Was No Good" (01:13)
2-36. Take 1 (01:32)
2-37. "Bruno, There Are A Couple Of Wrong Notes" (01:03)
2-38. Take 2 B
2-39. "Sorry. It Was Going Well, Until"
2-40. Take 3 B
2-41. "Oh Boy, Great"
2-42. Take 4 B
2-43. "Sorry, Once Again"
2-44. Take 5 B
2-45. "Sorry, This Is A Very Tough Piece"
2-46. Take 6 (01:35)
2-47. "Rather Interesting, Too"
2-48. Take 7 B
2-49. "Again, Please"
2-50. Take 8 (01:38)
2-51. "One Note Missing At The End"
2-52. Insert 1 – Take 1
2-53. "Once More, Please, With The Same Feed"
2-54. Insert 1 – Take 2
2-55. "How Were The Levels, Sam?"
2-56. Insert 1 – Take 3
2-57. "Looked Good. Looked Very Good"
2-58. Insert 1 – Take 4
2-59. "Okay?"
2-60. Take 1 (02:43)
2-61. "Once More, Please" (01:25)
2-62. Take 2 B (02:18)
2-63. "Oh Shit, That Was So Good!"
2-64. Insert 1 – Take 1 (01:23)
2-65. "How About That?" (01:20)
2-66. Take 3 (02:31)
2-67. "I Don't Know If This Is Deliberate Or Not"
2-68. Take 4 (02:39)
2-69. "How About That?" (01:00)
2-70. Take 1 (01:07)
2-71. "Not Bad. About Three Wrong..." (01:01)
2-72. Take 2 (01:01)
2-73. "With A Fix For The Last Two Bars"
2-74. Take 1 (05:05)
2-75. "This Is Glorious, Glenn."
2-76. Take 2 (04:43)
2-77. "I Think There Was Some Conversation Here" (01:10)
2-78. Take 3 (05:04)
2-79. "How About That? Can We Come..."
Friday, April 24, 1981, Studio C
3-1. "Bruno?" (01:21)
3-2. Take 1 (01:40)
3-3. "The First Half Was Terrific…"
3-4. Take 2 B
3-5. "Once Again." (01:25)
3-6. Take 3 (01:40)
3-7. "The First Half Is No Good" (01:11)
3-8. Part 2 – Take 1 B
3-9. "Oh Shit, It Was Going Well"
3-10. Part 2 – Take 2
3-11. "A Wrong Note Got In There." (01:26)
3-12. Part 2 – Insert 1 – Take 1 B
3-13. "Once Again."
3-14. Part 2 – Insert 1 – Take 2 B
3-15. "I Keep Doing That. Dammit!"
3-16. Part 2 – Insert 1 – Take 3
3-17. "There Was A Wrong Note"
3-18. Part 2 – Insert 1 – Take 4
3-19. "How About That?" (01:11)
3-20. Take 1 B
3-21. "Oh Shit. The First Half Was Good."
3-22. Take 2 B
3-23. "You Haven't Got A Change Of Shot By Any Chance At That Moment."
3-24. Take 3
3-25. "How About That For A Second?"
3-26. Take 1 B
3-27. "Too Many Things. Once Again, Please." (02:10)
3-28. Take 2 B
3-29. "Too Many Little Things."
3-30. Take 3 B
3-31. "It Was Going Well. Ah! Noch Einmal." (01:58)
3-32. Take 4 (01:04)
3-33. "How About That?" (01:30)
3-34. Take 5 B
3-35. "Again, Please."
3-36. Take 6 (01:07)
3-37. "I Don’t Like The Take Particularly."
3-38. Take 7 (01:04)
3-39. "Okay. I Still Want To Look At That One, Two Back."
3-40. Take 8 B
3-41. "Too Many Little Things, But It Was So Good…"
3-42. Take 9 (01:09)
3-43. "One Note Was Not Quite Right In…"
3-44. Take 10 (01:04)
3-45. "How About That?"
3-46. Take 1
3-47. "You Buy About Three Wrong Notes" (01:06)
3-48. Remake – Take 1 B (01:08)
3-49. "Sorry, Sorry, Glenn. I'm Very, Very Sorry." (01:17)
3-50. Remake – Take 2 ''B
3-51. "Sorry, Sorry, Glenn. Wouldn’t You…"
3-52. Remake – Take 3 (01:34)
3-53. "How Was That?" (01:10)
3-54. Remake – Take 4 (01:34)
3-55. "That Was Okay" (01:10)
3-56. Remake – Take 6 (01:33)
3-57. "Also Very Good"
Saturday, April 25, 1981, Studio C
3-58. Insert 1 – Take 1
3-59. "How Did That Look?"
3-60. Insert 1 – Take 2
3-61. "I Thought Maybe The Level Was A Little Less…"
3-62. Insert 1 – Take 3
3-63. "I Want Just… One More…" (01:29)
3-64. Insert 1 – Take 6
3-65. "It’s Still A Little Bit Soft."
3-66. Insert 1 – Take 7
3-67. "Okay. I’m Sure One Of Those Is Going To Match."
3-68. Insert 1 – Take 8 ''''
3-69. "How Are We Doing?"
3-70. Insert 1 – Take 9
3-71. "That’s It."
3-72. Insert 1 – Take 10
3-73. "Okay? We’ve Got A Choice."
3-74. Insert 1 – Take 1
3-75. "How Was That?"
3-76. Insert 1 – Take 2
3-77. "How Was That?"
3-78. Insert 1 – Take 3
3-79. "I Think That Was A Little Closer In Mood Toward The End…"
3-80. Insert 1 – Take 1 ''
3-81. "How Did That Look?"
3-82. Insert 1 – Take 2
3-83. "That Was Very Good"
3-84. Insert 1 – Take 3
3-85. "Et Cetera. How Was That?"
3-86. Insert 2 – Take 1
3-87. "How Was That?"
3-88. Insert 2 – Take 2
3-89. "How Did That Look?"
3-90. Insert 2 – Take 3
3-91. "How Was That Looking?"
3-92. Insert 2 – Take 4
3-93. "I Think We've Got Quite A Good Choice."
4-1. "This Is Variation 6 From..."
4-2. Insert 1 – Take 1
4-3. "Variation 6, Insert 1, Take 2"
4-4. Insert 1 – Take 2
4-5. "Not Quite Clean At The End."
4-6. Insert 1 – Take 3 '''
4-7. "That Was A Good One, Right?"
4-8. Insert 1 – Take 4 '''''
4-9. "Not In Love With The Way I'm Doing The Ending."
4-10. Insert 1 – Take 5 '''
4-11. "I Think We've Got A Very Good Choice." (01:28)
4-12. Insert 1 – Take 1 ''''
4-13. "It Is Very Difficult, Playing It This Lightly."
4-14. Insert 1 – Take 2 '''' B (01:16)
4-15. "Okay. The Later Trills Were Not Good."
4-16. Insert 1 – Take 3 ''
4-17. "Okay. That One Definitely Got A Very Good Opening."
4-18. Insert 1 – Take 4 '''
4-19. "Okay. We've Got The Opening For Sure."
4-20. Insert 2 – Take 1 (01:02)
4-21. "That Was Very Good For Us." (01:43)
4-22. Insert 3 – Take 1 '''' (01:24)
4-23. "A Very Interesting Take."
4-24. Insert 4 – Take 1
4-25. "How Was That?" (01:16)
4-26. Insert 4 – Take 2
4-27. "Was That Too Light, Also?"
4-28. Insert 4 – Take 3
4-29. "Okay. We've Got Lots Of Choice There." (01:54)
4-30. Insert 5 – Take 2 B
4-31. "No Good. Once More, Please."
4-32. Insert 5 – Take 3
4-33. "I'm Quite Confident That I Did The Line Differently"
4-34. Insert 5 – Take 4 ''
4-35. "That Certainly Got The Trill."
4-36. Insert 5 – Take 5
4-37. "I Think That Was Quite Good, It Was..."
4-38. Insert 1 – Take 1
4-39. "How Did That Look?"
4-40. Insert 1 – Take 2
4-41. "How Was That?"
4-42. Insert 1 – Take 3
4-43. "I Buy That One."
4-44. Insert 1 – Take 4
4-45. "How About That?"
4-46. Insert 2 – Take 1 B
4-47. "I Forgot To Give You A Level Test On This" (01:04)
4-48. Insert 2 – Take 2
4-49. "How About That?"
4-50. Insert 2 – Take 3
4-51. "I Think We've Got A Very Good Choice There."
4-52. Insert 1 – Take 1
4-53. "About Right?"
4-54. Insert 1 – Take 2 '''''
4-55. "I Think Several Of Those..."
4-56. Insert 2 – Soft Pedal Down – Take 1 ''''
4-57. "That Was Clean. I Don't Know If The Levels Were Any Good."
4-58. Insert 2 – Soft Pedal Down – Take 2 '''
4-59. "O[kay]."
4-60. Insert 2 – Soft Pedal Up – Take 1
4-61. "How Was That?"
4-62. Insert 2 – Soft Pedal Up – Take 2
4-63. "I Think That Was Good."
4-64. Insert 2 – Soft Pedal Up – Take 3
4-65. "That Felt Good To Me."
4-66. Insert 3 – Take 1
4-67. "It Was Okay As Long As We Just Use The Last Bar Itself"
4-68. Insert 3 – Take 2
4-69. "You Know Something?"
4-70. Insert 3 – Take 3
4-71. "How Did That Sound?"
4-72. Insert 3 – Take 4 '''
4-73. "I Think We Got..." (01:07)
4-74. Insert 1 – Take 1
4-75. "The Second One Was Very Good."
4-76. Insert 1 – Take 2 ''''''
4-77. "I See Why I'm Doing That Funny Additional B In The Bass"
4-78. Insert 1 – Take 3 ''
4-79. "That Was Pretty Good."
4-80. Insert 1 – Take 4 ''
4-81. "That's It."
4-82. Insert 2 – Take 1
4-83. "No Discernible Improvement."
4-84. Insert 2 – Take 2
4-85. "That Was Very Good."
4-86. Insert 2 – Take 3 ''
4-87. "That Was Very Good, That First Half."
5-1. "This Is Variation 13
5-2. Insert 1 – Take 1
5-3. "How About That One?"
5-4. Insert 1 – Take 2 '' (01:17)
5-5. "Not As Good." (01:19)
5-6. Insert 2 – Take 1
5-7. "I'm Not Sure That That Got The Right Rhythm At All."
5-8. Insert 2 – Take 2 ''''
5-9. "Once Again, Please."
5-10. Insert 2 – Take 3 ''
5-11. "Once More, Once More."
5-12. Insert 2 – Take 4
5-13. "I Think We Got A Choice."
5-14. Insert 1 – Take 3
5-15. "Oh, Everything Went So Well, Exactly The Line I Wanted."
5-16. Insert 1 – Take 4
5-17. "That's Good."
5-18. Insert 1 – Take 1 ''''
5-19. "We Got It. It Was A Little Timid At First, I Think."
5-20. Insert 1 – Take 2 ''
5-21. "It Was Quite Good."
5-22. Insert 1 – Take 3
5-23. "That Was Great. It Was Exactly Even."
5-24. Insert 1 – Take 4
5-25. "Aha. Got Everything Except For The Last Bar." (01:45)
5-26. Insert 2 – Take 1
5-27. "Well, I Think It Buzzed A Little Bit At The End."
5-28. Insert 3 – Take 1 ''
5-29. "I Think That Got..."
5-30. Insert 3 – Take 2
5-31. "If We Want To Cut. A Slightly Different One We Got..."
5-32. Insert 3 – Take 1 V '''
5-33. "The Last Note Isn't Totally Together As It Was The First Time." (01:08)
5-34. Insert 3 – Take 2 V
5-35. "How Was That?"
5-36. Insert 3 – Take 3 V
5-37. "Okay?"
5-38. Insert 3 – Take 4 V
5-39. "Okay. They've Got A Choice."
5-40. Insert 1 – Take 1
5-41. "How Were The Levels?"
5-42. Insert 1 – Take 2
5-43. "Glenn, I'm Sorry, That's No Good, We Had A Click Right On It."
5-44. Insert 1 – Take 3
5-45. "That Was Very Interesting."
5-46. Insert 1 – Take 1 '''''
5-47. "Got It, I Think"
5-48. Insert 1 – Take 2 ''''
5-49. "Both Of Those Last Two Got It, Especially The Last One." (01:29)
5-50. Insert 2 – Take 2 ''B
5-51. "Oh Shit, You Have To..."
5-52. Insert 2 – Take 3 ''''
5-53. "Oh, God, This Piece..."
5-54. Insert 2 – Take 4
5-55. "Oh No, I'm Getting A Block."
5-56. Insert 2 – Take 5 '''''
5-57. "That Almost Got..."
5-58. Insert 2 – Take 6
5-59. "Got It."
5-60. Insert 2 – Take 7 '''
5-61. "That Got The Notes Again."
5-62. Insert 2 – Take 8 '''''
5-63. "Okay. We Got Another One."
5-64. Insert 2 – Take 9 ''''''''''
5-65. "Ah Shit. We've Got It Some Place In There." (02:13)
5-66. Insert 3 – Take 3 '''
5-67. "How Was That?"
5-68. Insert 3 – Take 4
5-69. "There Was A Wrong Note Toward The End"
5-70. Insert 3 – Take 5 ''''
5-71. "Okay, We Got Two."
5-72. Insert 2 – Take 10 ''''''''
5-73. "Give Me The Tempo One More Time, Please."
5-74. Insert 2 – Take 11 ''''''''''
5-75. "We Got Two Or Three In There That Have Got The Notes."
5-76. Insert 1 – Take 1
5-77. "Okay, We Got It?"
5-78. Insert 1 – Take 2
5-79. "Too Much Accent On That One."
5-80. Insert 1 – Take 3
5-81. "Well, We Certainly Got It."
5-82. Insert 2 – Take 1
5-83. "That Was Very Good."
5-84. Insert 2 – Take 2
5-85. "Terrific."
5-86. Insert 3 – Take 1
5-87. "One More Time With The Feed Again"
5-88. Insert 3 – Take 2 '''''''
5-89. "I Think We Got It All In Perspective."
Tuesday, May 12, 1981
6-1. "Variation 19, Take 1"
6-2. Take 1
6-3. "Once Again, Please."
6-4. Take 2 B
6-5. "Oh, God."
6-6. Take 3 (01:00)
6-7. "I Want To See Both 1 And 3 And Listen To It Again."
6-8. Take 4 B
6-9. "Five."
6-10. Take 5 (01:05)
6-11. "I Think That's It, Bruno."
6-12. Take 6 (01:05)
6-13. "Okay. We've Got A Choice."
6-14. Take 7 (01:05)
6-15. "We Got A Choice."
6-16. Take 1 (02:16)
6-17. "That's The Take, Folks."
6-18. Take 1 (01:08)
6-19. "Hell Of A Good Take." (01:22)
6-20. Take 2 (01:06)
6-21. "A Low Note, The Low G Was Wrong." (01:12)
6-22. Take 3 (01:07)
6-23. "How About That?" (01:20)
6-24. Take 4 B
6-25. "Don't Like It. One More Time." (01:00)
6-26. Take 5 B
6-27. "That's Enough Of That." (01:17)
6-28. Insert 1 – Take 1 ′′
6-29. "That Got Both Of Them."
6-30. Insert 1 – Take 2
6-31. "We Got It." (01:26)
6-32. Take 1 (01:00)
6-33. "How About That?" (01:21)
6-34. Take 2
6-35. "Oh, Shit. It Was Going Very Well."
6-36. Take 3
6-37. "Messed Up The Last Bar, But That Was A Great Take."
6-38. Take 4
6-39. "We Got Another Last Bar."
6-40. Insert 1 – Take 1
6-41. "Let's Do Another One."
6-42. Insert 1 – Take 2
6-43. "That Was Very Good."
6-44. Insert 1 – Take 3
6-45. "One More Time."
6-46. Insert 1 – Take 4 ''''
6-47. "Did I Hear Some Extraneous Noise In There?"
6-48. Insert 1 – Take 5
6-49. "Once More."
6-50. Insert 1 – Take 6
6-51. "Okay. We've Lots Of Choice."
6-52. Insert 2 – Take 1 ''
6-53. "Damnation."
6-54. Insert 2 – Take 2
6-55. "Don't Know Why I Go On Beyond Bar 30."
6-56. Insert 2 – Take 3 '''
6-57. "It Sort Of Got It"
6-58. Insert 2 – Take 4
6-59. ... (01:16)
6-60. Insert 2 – Take 5 ''
6-61. "I Forgot What I Was Doing."
6-62. Insert 2 – Take 6 ''
6-63. "Okay. That Made It Sound Just Awkward Enough." (01:15)
6-64. Take 1 (02:42)
6-65. "Okay."
6-66. Take 2 B (01:14)
6-67. "Ah. We'll Have To Do A Second Half."
6-68. Take 3 (01:43)
6-69. Variation 25 (06:03)
6-70. "Thank You, Glenn. I Think We've Got Both Variations In The Can."
Wednesday, May 13, 1981, Studio C
7-1. "This Is Variation 25, Insert 1, Take 1."
7-2. Insert 1 – Take 1
7-3. "How Was That, Richard?"
7-4. Insert 1 – Take 2
7-5. "How About That One?" (01:03)
7-6. Insert 1 – Take 3
7-7. "Oh, God, Bruno, I Would Love..."
7-8. Take 1
7-9. "I Knew I Was Going To Mess Up That Ending."
7-10. Take 2 B
7-11. "Sorry, It's Going Very Well."
7-12. Take 3 B
7-13. "Oh, I'm Getting A Block About It..."
7-14. Take 4 B
7-15. "We May Have To Run To Some Other Variation While I Relearn This Piece."
7-16. Take 5 B
7-17. "Yeah, I'm Not Kidding, Folks."
7-18. Take 6 B
7-19. "Okay, We Will Leave This For Later."
7-20. Take 7
7-21. "We Got Most Of It."
7-22. Take 8 B
7-23. Take 9 B
7-24. "God. Now I'm Getting The Block In The First Take Place..."
7-25. Take 10 B
7-26. Take 11 B
7-27. "Yes. We May Have To Come And Look At The One That We Finally Got Through On."
7-28. Take 12 B
7-29. Take 13 B
7-30. "Let's Look At The One That We Sort Of Got Through."
7-31. Take 14 B
7-32. "We Got The Two Places That We Wanted And Nothing Else."
7-33. Take 15 B
7-34. "Once Again, We Got The Two Places We Wanted."
7-35. Take 1 (01:23)
7-36. "How About That?"
7-37. Take 2 B
7-38. "I Don't Like It; Once Again, Please."
7-39. Take 3
7-40. "I Don't Like It; Once More."
7-41. Take 4 B (01:23)
7-42. "That Was Very Good, Except I Had One Wrong Note About Six Bars From The End."
7-43. Insert 1 – Take 1 ′′′
7-44. "Could We Have Your Reposition At The Beginning Of The..."
7-45. Insert 1 – Take 2 ′′′
7-46. "I'm Sorry."
7-47. Insert 1 – Take 3
7-48. "Not Bad. Let Me Try One More Of The Same Thing."
7-49. Insert 1 – Take 4
7-50. "Okay, We've Got..."
7-51. Take 1 (01:06)
7-52. "God, That Is A Silly Piece, That Really Is." (01:54)
7-53. Take 2 (01:05)
7-54. "How About That?" (01:08)
7-55. Take 3 (01:05)
7-56. "I Kept Going Only In Case I Covered Something, And I Think I Did At The Very End."
7-57. Take 4 (01:05)
7-58. "That Also Covered Some Things."
7-59. Insert 1 – Take 1
7-60. "That Got The Specific Thing, I Think."
7-61. Insert 1 – Take 2
7-62. "Almost Got To The Third One." (01:10)
7-63. Insert 2 – Take 1
7-64. "I Seem Determined To Mess Up The Level."
7-65. Insert 2 – Take 2
7-66. "We Need Nothing..."
7-67. Insert 3 – Take 1 ′′′
7-68. "That Was Pretty Good."
7-69. Insert 3 – Take 2 ′′
7-70. "Okay?"
7-71. Take 1 (01:06)
7-72. "A Couple Of Wrong Notes, But It Got Most Of The Things, Bruno"
7-73. Take 2 (01:05)
7-74. "Sorry, I Forgot About The Non-Connect."
7-75. Insert 1 – Take 1 ′′
7-76. Variation 30 (01:35)
7-77. "Thank You Very Much, This Was Beautiful."
7-78. Insert 1 – Take 2
7-79. "Okay, That's Enough."
7-80. Insert 2 – Take 1 ′′
7-81. Variation 30 B
7-82. "Enough Of That."
7-83. Insert 2 – Take 2 ′′′
7-84. Variation 30 (01:33)
7-85. "Once More Over Insert 2."
7-86. Insert 2 – Take 3 ′′
7-87. Variation 30 (01:33)
7-88. "Okay?"
Thursday, May 14, 1981, Studio C
8-1. "Stand By, Please. This Is Aria Da Capo, Take 1."
8-2. Take 1 (03:39)
8-3. "Thank You, Glenn. I Think This Is Glorious." (01:10)
8-4. Insert 1 – Take 1
8-5. "Don't Like The Phrasing Of It, But We Sort Of Got It." (01:34)
8-6. Insert 1 – Take 2
8-7. "Another... Okay. I Think That Was Good." (01:39)
8-8. Insert 2 – Take 1 (02:02)
8-9. "I Don't Like The Last Eight Bars..." (01:28)
8-10. Insert 2 – Take 2 (01:56)
8-11. "Not Bad."
8-12. Take 1
8-13. "I Never Promised You It's Gonna Be Easy."
8-14. Take 2 b
8-15. Take 3
8-16. "Take 4, In A Moment. God, This Is An Awkward Piece."
8-17. Take 4
8-18. "How About That?"
8-19. Take 5 B
8-20. Take 6 B
8-21. Take 7 b
8-22. Take 8 b
8-23. Take 9
8-24. "It Got The Last Section."
8-25. Take 10
8-26. "Unfortunately It Had Some Wrong Notes, But It Had A Great Spirit Of Fun, That One."
8-27. Take 11
8-28. "The First Half Of That Was Very Good, The Second Half Was Terrible."
8-29. Take 1
8-30. "Basically, We Got The First Eight Bars And The Last Eight Bars, Except For One Wrong Note."
8-31. Take 2
8-32. "How About That? It's Getting Close."
8-33. Take 3
8-34. "Almost Everything. Almost, But Not Quite."
8-35. Take 4
8-36. "Finally Got The Last Four Bars Bang On."
8-37. Take 5 ′′
8-38. "Oh Shit. Are You On The Shot?"
Friday, May 15, 1981, Studio C
8-39. Insert 1 – Take 1
8-40. "How Did That Look? It Felt Very Good."
8-41. Insert 1 – Take 2 ′′
8-42. "How About That?"
8-43. Insert 1 – Take 1
8-44. "How Did That Look?"
8-45. Insert 1 – Take 2 ′′
8-46. "How Was That Looking?"
8-47. Insert 1 – Take 3
8-48. "I Think We Got Them All."
8-49. Insert 2 – Take 1
8-50. "We Got The Second Half, Too, Basically."
8-51. Insert 2 – Take 3 ′′
8-52. "That Last Note Keeps Defeating Me."
8-53. Insert [3] – Take 1
8-54. "Okay. I Think We Should Come And Listen." (01:46)
8-55. Insert 1 – Take 1 ′′
8-56. "It Was Perfect For The Bar That We Needed To Be Perfect In."
8-57. Insert 1 – Take 2
8-58. "That Was As Clean As Anything Can Be." (01:37)
8-59. Remake – Take 1 B
8-60. "I Don't Like It Too Much."
8-61. Remake – Take 2 ′′
8-62. "Despite One Wrong Note Near The End, That Had Some Very Lovely Things."
8-63. Remake – Take 3 ′′
8-64. "Not Quite Together At The End."
8-65. Remake – Take 4 B
8-66. "Was That Any Better?" (01:16)
8-67. Remake – Take 5
8-68. "I Know That Wasn't Any Better, But I Just Kept Going..."
8-69. Remake – Take 6 B
8-70. "Not Good Voice-leading At The End."
8-71. Remake – Take 7
8-72. "That Got It As Best As I Can Possibly Do It."
8-73. Remake – Take 8
8-74. "Well, That Had A Certain Charm, But I Don't Know..."
8-75. Remake – Take 9
8-76. "How Did That Sound?"
8-77. Remake – Take 10 ′′′′
8-78. "It's Getting Silly."
8-79. Remake – Take 1 B
8-80. "Again."
8-81. Remake – Take 2 (01:21)
8-82. "Not A Bad Take."
8-83. Remake – Take 3 (01:24)
8-84. "Okay?"
8-85. Remake 1 – Take 1 (02:57)
8-86. "The Piano Is Hiccuping, I'm Afraid."
8-87. Remake 1 – Take 2 (02:51)
8-88. "A Lot Of Very Good Things."
8-89. Remake 1 – Take 3 (03:08)
8-90. "Well, Can't Do Any Better Under The Circumstances."
Saturday, May 16, 1981, Studio C
9-1. "Let Me Just Clean My Glasses For A Second Here."
9-2. Remake 2 – Take 1 b
9-3. "Glenn, I'm Sorry. We Heard... We Had Noise From Outside." (01:07)
9-4. Remake 2 – Take 1 ′′ (03:12)
9-5. "How Was That?"
9-6. Remake 2 – Take 2 ′′′ (03:32)
9-7. "How About That?"
9-8. Remake 2 – Take 3 ′′ (03:14)
9-9. "That Had A Beautiful Opening."
9-10. Remake 2 – Take 4 (03:10)
9-11. "I Cannot Do It Any Better Than That." (01:00)
9-12. Remake 2 – Take 5 (03:02)
9-13. "How About That For A Stylish Aria?" (01:12)
9-14. Remake 2 – Take 6 (03:03)
9-15. "How About That?"
9-16. Insert 1 – Take 1 B
9-17. "How Was The Tempo, Could You Tell?"
9-18. Insert 1 – Take 2 (03:45)
9-19. "How About That?"
9-20. Remake – Take 1 ′′′B (04:07)
9-21. "No, I Don't Like It."
9-22. Remake – Take 2 (06:06)
9-23. "How About That?"
9-24. Remake – Take 3 ′′ (05:41)
9-25. "What Was The Timing On That One?" (01:11)
9-26. Insert 1 – Take 2 ′′′′′′′′′
9-27. "Did They Look In The Right..."
9-28. Insert Into "Insert 1 – Take 2" (Take 1 ′′) (01:25)
9-29. "The Specific Spot Was Fine." (01:15)
9-30. Insert Into "Insert 1 – Take 2" (Take 2) (01:07)
9-31. "Okay. I'm Not Persuaded That The..." (01:03)
9-32. Insert Into "Insert 1 – Take 2" (Take 3 ′′) (01:16)
9-33. "We Got Them In All Shapes."
Saturday, May 16, 1981, Studio C
10-1. "Variation 25, Insert 1, for bars 7 through 12, Take 1."
10-2. Insert 1 – Take 1 '' (02:21)
10-3. "Until the hiccup, that was absolutely gorgeous." (01:06)
10-4. Insert 1 – Take 2 ''
10-5. "I'd better have another feed."
10-6. Insert 1 – Take 3 '' (01:29)
10-7. "I think we've got it. Probably both times, but..."
10-8. Insert 2 – Take 1 B
10-9. "Again, please. Too much. You're ready?"
10-10. Insert 2 – Take 2 (01:24)
10-11. Oh, sh... well, we got the first one, that's for sure." (01:11)
10-12. Insert 3 – Take 1 (02:09)
10-13. "I thought I'd give you one of the big climaxes once."
10-14. Insert 3 – Take 2 '' (01:18)
10-15. "That was certainly good at the spot."
10-16. Insert 3 – Take 3 (01:16)
10-17. "I think that one may turn out to be the one that saves us..."
10-18. Insert 1 – Take 1 '''
10-19. "That got the hiccup note, too."
10-20. Insert 1 – Take 2 ''B
10-21. "Well, that's certainly felt very close."
10-22. Insert 1 – Take 3 ''
10-23. "Okay. You got one to the end."
10-24. Remake Insert 1 – Take 1 '''
10-25. "This piano is not made for such things as passages of that nature." (01:23)
10-26. Remake Insert 1 – Take 2 '''
10-27. "That had a very good beginning."
10-28. Remake Insert 1 – Tale 3 ''
10-29. "I think that got it." (01:09)
10-30. Remake Insert 1 – Take 4 '''
10-31. "Okay. This one was good on the sixth bar only."
10-32. Remake Insert 1 – Take 5
10-33. "Well, I think the one two back is still it..."
10-34. Remake Insert 1 – Take 1
10-35. "I'd forgotten how fast I had played it."
10-36. Remake Insert 1 – Take 2 ''
10-37. "How did that sound?"
10-38. Remake Insert 1 – Take 3 ''''
10-39. "One more time, please."
10-40. Remake Insert 1 – Take 4 ''
10-41. "That got it, very, very..." (01:21)
10-42. Remake Insert 2 – Take 1
10-43. "It sounded good."
10-44. Remake Insert 2 – Take 2
10-45. "Okay. We got a choice." (01:52)
10-46. Remake Insert 3 – Take 1
10-47. "Well, you know, that felt a little bit fast to me for the last..."
10-48. Remake Insert 3 – Take 2
10-49. "I think one thing you're hearing is I'm just putting less ritard on..."
10-50. Remake Insert 3 – Take 3
10-51. "Very good."
10-52. Remake Insert 3 – Take 4
10-53. "Okay. That is as loud as I would have played it.
10-54. Insert 1 – Take 1 ''''
10-55. "That's too slow."
10-56. Insert 1 – Take 2 '''
10-57. "Some place in there... we've got it."
10-58. Insert 1 for CBS – Take 1
10-59. "You know something?"
10-60. Insert 1 for CBS – Take 2
10-61. "Okay." (01:25)
Friday, May 29, 1981, Studio C
10-62. Remake Insert 1 – Take 1
10-63. "Yes. Sam?" (01:30)
10-64. Remake Insert 1 – Take 2
10-65. "Okay. I think that one got the thing..." (01:11)
10-66. Remake Insert 1 – Take 3 (01:04)
10-67. "Okay. I think we have a choice."
10-68. Remake Insert 2 – Take 1
10-69. "That certainly got what we're looking for." (01:17)
10-70. Remake Insert 2 – Take 2 '' (02:12)
10-71. "Well, we get another one. Hello?" (01:31)
10-72. Remake Insert 2 – Take 3 '' (02:05)
10-73. "How about that?" (01:04)
10-74. Remake Insert 1 – Take 1
10-75. "Believe it or not, I got the bars I was looking for without a fake accent..." (01:05)
10-76. Remake Insert 1 – Take 2 ''
10-77. "Yeah. Well, we've got the bars again."
10-78. Remake Insert 1 – Take 3 '''
10-79. "Yeah. I'll do it one more time."
10-80. Remake Insert 1 – Take 4
10-81. "Not bad. Considering..."
10-82. Remake Insert 1 – Take 5 ''
10-83. "We got the bars. Finally, we got the bars..."
10-84. Remake Insert 1 – Take 6 '''''''
10-85. "Okay. Between all of these things, I've got what I came to get."
说明:: Contains previously released material on CD 11, all other material on CDs 1-10 previously unreleased.

Product description:
Forty years ago, on September 2, 1982 – the year of Michael Jackson’s Thriller and Steven Spielberg’s E.T. – Glenn Gould’s legendary second recording of the Goldberg Variations closed a circle that his revolutionary 1955 recording of Bach’s masterpiece had opened. Just five weeks later, the Canadian pianist died unexpectedly, leaving the world a masterpiece that – awarded two GRAMMYs – is still one of the most listened-to classical albums worldwide.In addition to the original album, this edition includes for the first time Gould’s complete recording sessions, carefully transferred from the original ¼-inch analog tapes and mastered at 24 bit / 96 kHz. The listener is thus offered fascinating insights into the working methods of one of the greatest musical personalities of the twentieth century. The 216-page book includes co-producer Richard Einhorn’s recollections of the days at Columbia’s 30th Street Studio, a detailed introduction to the pro ject, the complete transcript of all studio conversations, sheet music illustrations, photographs, and facsimiles.
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Raphaela Gromes: Imagination

相同系列:: 单击以看相同系列
发行日期：:: CopyWrong
专辑类型:: 相册
类型:: 古典
风格:: Contemporary | Impressionist | Modern | Piano | Romantic | String Instrument
艺人:: Raphaela Gromes
曲目列表:: 1. Waltz From The Sleeping Beauty, Op. 66 = Walzer Aus Dornröschen (03:40)
2. Märchen = Fairy Tale, op. 8 (05:18)
3. Gnomentanz Aus Im Walde = Dance Of The Gnomes From In The Forest, Suite Op. 50 (03:46)
4. La Cathédrale Engloutie = The Sunken Cathedral = Die Versunkene Kathedrale (06:22)
5. Scherzo From A Midsummer Night's Dream, Op. 61 = Scherzo Aus Ein Sommernachtstraum (04:27)
6. Song To The Moon From Rusalka, Op. 114 = Lied An Den Mond Aus Rusalka (04:38)
7. Zauberkreis = Magic Circle (02:14)
8. Pohádka = Fairy Tale = Märchen: No. 2 (04:07)
9. Baba Yaga, Op. 56 (03:20)
10. Märchenerzählungen = Fairy Tale Narrations, Op. 132/3 (04:07)
11. Gnomenreigen = Dance Of The Gnomes, S.145/2 (03:08)
12. Märchenstunde = Fairy Tale Hour (02:14)
13. Flight Of The Bumblebee From The Tale Of Tsar Saltan = Hummelflug Aus Das Märchen Vom Zaren Saltan (01:21)
14. Sung Outside A Prince's Door (01:32)
15. Of A Tailor And A Bear (02:02)
16. Abendsegen Aus Hänsel Und Gretel = Evening Prayer From Hänsel Und Gretel (02:29)
17. Elfentanz = Dance Of The Elves, Op. 39 (02:49)
18. The Shire From The Lord Of The Rings = Auenland Aus Der Herr Der Ringe (02:46)
19. Princess Leia's Theme From Star Wars: A New Hope = Leias Thema Aus Krieg Der Sterne: Eine Neue Hoffnung (04:25)
说明:: from colnect.com
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